There are so many things to say about the New York Times Magazine cover for this coming weekend, which features Hillary Clinton’s face stretched and wrinkled and turned into a planet. It is terrifying. It is a “Dadaist masterpiece.” It is “no joke.” It is a veritable wellspring of critical interpretation. As with any great work of art, more questions are raised than answered here.
Is it a riff on Little Face Mitt?
Or the Me Gusta meme?
Or did multimedia artist Tony Oursler make it?