Art Movements is a weekly collection of news, developments, and stirrings in the art world.
Earlier this week, we reported on the Corcoran Gallery of Art’s plan to dissolve and become part of the National Gallery of Art and George Washington University. But the University of Maryland had been in talks with the Corcoran for months, the Washington City Paper reported, and the school’s leaders only found out that its partnership was rejected when the latest news was announced.
Detroit Emergency Manager Kevyn Orr released his plan of adjustment today, in conjunction with the City of Detroit’s bankruptcy. The plan follows the guidelines of the proposed “grand bargain” organized by federal judge Gerald Rosen, ensuring the protection of the Detroit Institute of Arts collections in exchange for money raised by the museum and other contributors going toward city pension funds.
Cornelius Gurlitt, the owner of over 1,000 recently discovered artworks that he inherited from his father, a Nazi-era German art dealer, has launched his own website, which aims to present his side of the story. According to the Los Angeles Times, the site states that he desires “to live with my pictures in peace and tranquility.” Meanwhile, Gurlitt’s lawyers have filed an appeal against the seizure of the art.
The Future Interns activist group has reported that London’s Serpentine Gallery will begin paying their interns. According to an anonymous email from a Serpentine employee published on the Future Interns Tumblr blog, “The ‘bad’ press from the bonus scadal [sic] and the protests about unpaid internships has given us leverage internally to bring about changes.”
Only one of the three Banksy pieces offered at Fine Art Auctions Miami this week sold: the “Kissing Coppers,” which went for $575,000, on the low side of its $500,000–700,000 estimate. The other two that had been taken from Banksy’s New York City residency — “Bandaged Heart” and “Crazy Horse Car Door” — didn’t meet their minimums.
The Obama Administration announced new ivory trade restrictions that, according to National Geographic, will place “a near complete ban” on any sale of African elephant ivory in the United States. The heavier restrictions follow a public destruction of confiscated ivory in a ceremony earlier this month at the Eiffel Tower in France.
Plans to put a Standard Hotel in the Eero Saarinen–designed TWA Flight Center at JFK Airport are not happening, Crain’s reported. The Port Authority is searching for new candidates to redevelop the historic building.
Johnson Marklee’s plans for the Menil Drawing Institute in Houston were revealed, showing a subdued structure for the institution’s new space devoted to modern and contemporary drawing.
Blouin Media, which publishes Artinfo, Art + Auction, and Modern Painters, is being sued by two of its former executives, who claim that they’re owed money. The company’s president and de facto spokesman Ben Hartley has also left for Berlin’s Auctionata, GalleristNY reported.
The Denver Museum of Nature and Science returned 30 artifacts from its East African spiritual carvings collection to the Kenyan government. The vivango effigies will go to the National Museums of Kenya while their villages of origin are sought.
The Hammer Museum selected the 35 artists for the second edition of its Made in LA biennial. The 2014 exhibition aims to recognize Los Angeles artists who are emerging or not widely recognized.
The Mies van der Rohe–designed Martin Luther King Jr. Memorial Library in Washington, DC, will be renovated in a project by Martinez + Johnson and Mecanoo Architecture. Some have raised concerns about a potential conflict between preserving its architectural history and bringing the building up to date, the Washington Post reported.
Expansion work on the Uffizi Gallery in Italy revealed a mass grave of Florentine plague victims.
The long-delayed Panama BioMuseo, designed with wildly colorful roof panels by Frank Gehry (his first work to be built in Latin America), is finally approaching an opening date.
Three years after one was damaged, 1930s murals by James Monroe Hewlett in the Bronx County Courthouse are finally being saved by the City of New York.
First Lady Michelle Obama stopped by the New Museum this week as part of her “Drink Up” campaign promoting water instead of sodas and other sugary drinks.
The old trolleys on the Red Hook waterfront that were suddenly removed earlier this month are apparently being relocated to a Connecticut museum.
A new theory about the Shroud of Turin has emerged: that the face of Jesus was formed by an 8.2-magnitude earthquake in Jerusalem in 33 AD.
Artist Minouk Lim wants to offer a very different perspective on how one might deal with a grim history whose effects continue to be felt in the present.
This week: Should Washington have a national memorial for gun violence? Have cats used us to take over the world? What is Cluttercore? And more.
Organizers, artists, and land practitioners are holding public events at Iglesias Garden in a hub space supported by the Climate Justice Initiative, a project of Mural Arts Philadelphia.
The artist’s style blends aesthetic and cultural elements from Ghana, London, and New York’s graffiti scenes.
Workers told Hyperallergic that they were tired of meager pay and a lack of job security.
Jo Sandman / TRACES opens with a reception for the artist on June 3 at Black Mountain College Museum + Arts Center in Asheville, North Carolina.
Authorities say Jean-Luc Martinez helped facilitate the Louvre’s purchase of objects illegally pillaged during the Arab Spring.
The suspects attempted to take a Basquiat artwork valued at $45,000 from Taglialatella Galleries but instead made off with a half-empty bottle of whiskey.
Funding MFAs and all full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.