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A little birdie told us at Hyperallergic HQ that this may be your last chance to see Ugo Rondinone’s “Hell,Yes” (2001) on the exterior of the New Museum, as it is slated to be removed from its perch on the facade. The same little birdie told us that Isa Genzken’s 30 foot (8 meter) tall “Rose” sculpture will replace the Rondinone work.
Made of stainless steel, aluminium, and lacquer, “Rose” has been extensively exhibited, including at Art Basel 2008 (more photos here) and it was sold at the time, according to Artnet, for €750,000 to a private collector.
You may also be interested to know that Genzken is Gerhard Richter’s ex-wife, and she is represented in New York by David Zwirner.
What do we think of the newest addition to the Bowery? We’ll let you know after it’s installed in early November.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.