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The best ideas often seem so obvious that you kick yourself for not thinking of them first. They happen when people draw connections between the millions of bites of information they take in every day, whether by ingenuity or sheer coincidence.
Cecilia Azcarate, a designer at Johannes Leonardo creative agency, must have been having one of those moments when she came up with the idea for her art history tumblelog, B4XVI (which stands for “before the 16th century,” as all the art she uses is). In an unlikely marriage, it pairs pictures of rappers with historical sculptures, paintings, and statues from the Metropolitan Museum of Art’s collection, tracing the swag and power poses of hip-hop artists like Young Thug and Whiz Khalifa to pre-Colombian effigies and Netherlandish paintings.
The results are uncanny. We all know Jay Z wants in on the art world, but who knew that 2 Chainz’s hand signs have their roots in the blinged-out, 14th-century reliquary arm of St. Valentine? Or that Kanye West is actually taking style cues from a fur-swathed young man in a 16th-century northern German painting? Or that Hot Sugar looks so much like a baby-faced Jesus?
It now seems clear: one century’s highbrow is another’s lowbrow. Azcarate’s side-by-side images give us a reason to ditch the labels altogether.
From commissions to residencies and fellowships for artists, curators, and teachers, a list of opportunities that artists, writers, and art workers can apply for each month.
It is one thing to be a visionary and another to be one whose work holds your attention for a sustained period of time.
“Following Sonorous Bodies” is available online. The journal also seeks guest editors for themed issues, books, and more, as well as contributors for Issue 8, “Birds & Language.” Proposals are due December 15.
Regardless of which way the camera is pointing, Wearing shows a lively — and altogether merciless — interest in how people choose to tell their own stories.
Feldschuh understands that the actions and interactions of particles can be formulated mathematically but not illustrated visually.
These multimedia works debuting on Voice include a “Death Mechanism” and allow fans to collect the artist’s origin story, told specifically for the metaverse.
Shellyne Rodriguez and Danielle De Jesus powerfully respond to the continued attacks on their neighborhoods with works that validate and uplift elements of everyday urban Latinx life that are usually devalued.
This week, I’ve included a lot of humor because with the recent news on the coronavirus variant, we can all use it.
On December 13, learn about the Sam Fox School’s graduate programs in Visual Art and Illustration & Visual Culture, as well as the university’s competitive financial aid packages.
So legendarily precious and complex are the Fabergé eggs that they have become a byword for insane expenditure.
While performing a piece for Satellite Art Show, Xxavier Edward Carter was approached by a group of officers who threatened him with ten years in prison.
Gerke Dunkhase estimates that only half of the Benin bronzes in Germany are logged on the portal so far, calling the current database a “prototype” of what’s to come.