For the second in his series of YouTube Essays, YouTube Archive + Anarchy, blogger and curator Brent Burket selects a mix of art and music, collecting YouTube music videos, amateur documentation of video art and performance pieces. Don’t miss feminist firecracker Karen Finley invading a Sinead O’Connor song, to disastrous and hilarious effect. Part 3 of the series will run on Saturday.
For some Will Cotton influence.
on SNL. Kanye rides the Vanessa Beecroft train full-on.
One word: Andy. This is not in the list in the same order as I played it last night. I realized that there was a better place to end the second night. Trust me on this.
[Ed. Video doesn’t have embed permissions, click the title to check it out]
Doug Aitken in the house. Sometimes moments more successful than others. And check the “homage” to Christian Marclay in the middle of it all. See next video.
Like I said, “an homage.” Bwaaaah! Continuing with a theme from last night. I love the hand-held video camera perspective on art. Maybe shot at PS1. Maybe not.
Shot at MoMA. Another unofficial vid. But you can feel the cold, the quiet, and the whispering. In other words, not pro and totally interesting. Practically makes me tear up a bit.
Yellow Tears. Fuck. Yeah. Incredible performance that would be lost to time if it hadn’t been for an amateur videographer who captured this crew’s utterly transcendent performance. Plus, Jeremy pulls out some great moves. Fucking amazing. And thank you, YouTube.
And speaking of lost things. Totally boring and mundane Sinead O’Connor song (Surprise!) is TOTALLY invaded by the insanely awesome and the awesomely insane Karen Finley about midway through. Hold onto your hats and undies, y’all. One more reason to love YouTube: VERY obscure 12″ remixes appearing. All hail the archive.
Features a special interruption. Maher used to love having Finley on as a guest. This is why. And all praises to the VCR button accident. Check out the perfect perfect perfect appearance of Opie and Andy Taylor and the always aproned Aunt Bee for 15 seconds in the middle of it all.
THIS is where I should have ended the night. Watch and see why. Note that this is the only video of all the videos that has an age restriction on it. Must be the army of cocks. Simply amazing. Ann Magnuson is a god. A big, bad pussy god.
BONUS TRACK: Bongwater and Sreamin Jay Hawkins.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.