Given that he’s a goliath figure in the art world whose output spans three decades, it may come as a surprise that Jeff Koons’s Whitney retrospective is the artist’s first major solo show at a New York museum.
The exhibition offers 150 works dating back to 1978, giving visitors a comprehensive look at the former commodities trader’s ambitious and diverse artistic output. Everything about Koons and his oeuvre seems overwhelming, from the scale of the works to the (apparent) complexity of the execution: Koons famously consulted with Nobel Prize-winning physicist Richard Feynman to determine the proper saline mix to suspend basketballs in solution for his 1985 Equilibrium series. “Walrus (Blue Green)” (1999), a work that appears to be a simple colored mirror, lists six distinct materials including carbon fiber.
This obsession with materialist perfection came to its logical conclusion in the Popeye series in 2003, which features recreations of household objects made from different materials. “Play-Doh” (1994–2014), a massive hyper-realist aluminum sculpture meant to resemble a pile of its namesake children’s toy, allegedly took twenty years to execute to Koons’s specifications.
Opening to the public June 27, Jeff Koons: A Retrospective is the final exhibition at the Whitney’s Marcel Breuer–designed Upper East Side location.
Jeff Koons: A Retrospective opens at the Whitney Museum of American Art (945 Madison Avenue, Upper East Side, Manhattan) June 27 and runs through October 19. A conversation with Rachel Kushner and Scott Rothkopf is planned for Sunday, June 29. (NB: An earlier version of the preceding sentence stated that the artist would participate; he will not.)
The Roman-era burial ground is located in Anazarbus (modern Anavarza) in the country’s southern Adana province.
Those with a Didion-shaped hole in their hearts can also bid for portraits of the author, her books, and other personal items.
The Brooklyn organization is now accepting new project inquiries for its fee-based fabrication services in printmaking, ceramics, and large-scale public art.
The union seeks a minimum wage of $20 by the end of 2024; the museum offered only $16.
Blurred Boundaries invites the viewer to recognize the ways in which queer art is not separate or other, but is actually always all around us.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Francis De Erdely had an intuitive grasp of the inner worlds of people who were coping with a sense of displacement in their daily lives, which he conveyed in his art.
Curator Amber-Dawn Bear Robe brings together historic and contemporary Native clothing designs at Santa Fe Indian Market.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
As the Uru-eu-wau-wau face continued incursion by Brazilian farmers, they take an active role in this documentary about them.
Arriving amid increased anti-Asian racism and continuing discourse about the inhumanity of its prison system, this documentary is a strong historical gut punch.
A “show within a show” at the Whitney Biennial pays homage to the visual and literary art of Theresa Hak Kyung Cha, whose life was cut short through an act of brutal violence.