A bidder views an artwork at the Kosta Boda emotions auction (screenshot via YouTube)

A bidder views an artwork at the Kosta Boda emotions auction (screenshot via YouTube)

As those of us without mountains of money continue to gawk and gripe over the unceasingly exorbitant sums fetched by art auctions, a Swedish glassware brand has gone out on a limb and tried something different: auctioning off artworks to people who have the strongest physical reactions to them.

Kosta Boda, a Swedish company that deals in both commercial glassware and art glass, held an event at its Stockholm gallery last month that was billed as “an auction based on emotions.” People could place blind bids in advance for one of three pieces, but all the artworks were kept secret until the night of the event. When that time came, each bidder was brought into a room and hooked up to a series of sensors on their hand and ear. The artwork was then unveiled while the sensors measured the viewer’s heart rate and galvanic skin response (a change in sweat on the hand). Those with the strongest responses won the works: “Acrobatic Music” by Kjell Engman, priced at €8,500; “Super Protection 2” by Åsa Jungnelius, €1,900; and “Protocol” by Bertil Vallien, €15,000.

YouTube video

“It doesn’t really matter if you feel happy about it, or if you feel sad, or angry … just don’t be monotone, or just feel something at least,” said Daniel Solving, CEO of Göteborg-based digital studio Humblebee, which worked on the project, in a BBC News video. Of course the science of measuring feelings is fairly imprecise, and calling this “an auction based on emotions” may be a bit of a stretch. But it’s an intriguing break from the auctions we’re used to, which seem increasingly to be based on nothing but ego.

h/t Gawker

Jillian Steinhauer is a former senior editor of Hyperallergic. She writes largely about the intersection of art and politics but has also been known to write at length about cats. She won the 2014 Best...

4 replies on “Gallery Auctions Off Artworks to the Highest Emotional Bidder”

  1. Nice idea but it eliminates the factor that lots of art takes time. It also takes away context, which accounts for lots of aesthetic reaction. Well, it gives it another context by doing that *presto* thing with the white cloth and dramatic lighting. Put anything on that pedestal and it all get a neurological buyer.

    On the other hand, it would be a cool way to pick who gets to destroy a Koons piece. Who hates it the most? OK, here’s the hammer.

  2. My father remembers that his cousin, Alfred Stieglitz, when asked the price of a painting would slyly eye the buyer up and down, sizing up the potential of his wallet before inquiring, “What is it worth to you?”

Comments are closed.