The militant group Islamic State of Iraq and Syria (ISIS) has been destroying the artistic and religious heritage of Iraq and Syria as they continue to impose their fundamentalist Sunni doctrine on the lands they’ve occupied. Recent reports, which have been hard to independently confirm, have reported that ISIS most recently destroyed the alleged tomb of the Biblical prophet Jonah (Younis). A short video (posted below) of a black-clad figure hurling a sledgehammer at the tombs, which according to Iraqi authorities includes the prophet’s tomb, is the latest visual evidence of the group’s iconoclastic cultural policy. Jonah is the Biblical figure that was swallowed by a whale, and his tale is recorded both in the Old Testament and the Quran.
The latest bout of destruction by ISIS has raised concerns that the group threatens all religious minorities, including non-fundamentalist Sunni Muslims, and imperils all the monuments and sites affiliated with those groups. Archeological sites are also under threat, and in June the Guardian reported that ISIS “was also known to have reaped windfalls from smuggling all manner of raw materials pillaged from the crumbling state, as well as priceless antiquities from archaeological digs.”
Last month, European Union observers reported that 11 churches were torched by ISIS in the Iraqi city of Mosul, while the Sunni fundamentalists also raped civilians. Among the many architectural monuments destroyed included the grave of 12th–13th-century historiographer Abu al-Hassan al-Jazari, known as ibn al-Athir, and several churches that had been “burnt to the ground.”
ISIS’s animosity towards local Christians is not new, and the group has been targeting Christians heavily since they took over parts of eastern Syria. According to Al Jazeera, earlier this year the group demanded “every Christian man pay a tax of up to 17g of gold, a levy that was common in Muslim states centuries ago,” while the Assyrian International News Agency (AINA) reported that ISIS has imposed a $250 minimum tax on Christians in the Iraqi city of Mosul. There are also numerous videos posted online of the fundamentalist group’s desecration of Christian churches.
The AINA has been regularly reporting about the destruction of historic and religious monuments by ISIS. Earlier this year they reported that the group destroyed Assyrian statues and artifacts believed to be 3,000 years old, while more recently they confirmed that ISIS had destroyed a statue of Arab poet Abu Tammam in Mosul last month.
ISIS is not limiting its destruction to non-Muslim sites and four shrines to Sunni Arab or Sufi figures, and six Shiite mosques have also been destroyed in the ISIS-controlled regions of Iraq’s Nineveh province, where Mosul is the capital. Al-Arabiya News is reporting that the “Sunni and Sufi shrines were demolished by bulldozers, while the Shiite mosques and shrines were all destroyed by explosives.”
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Xenobia Bailey, Jeffrey Gan, Elizabeth G. Greenlee and N.E. Brown, Siera Hyte, Maru López, and Olivia Quintanilla will contribute to a Hyperallergic Special Issue on underrepresented craft histories in 2023.
An investigation by Forensic Architecture and Al-Haq into the killing of Shireen Abu Akleh looked at previously unseen footage and unpublished autopsy reports, among other evidence.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
This is what happens when boozed-up patrons party next to priceless mosaics, statues, and vases.