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In light of the recent censorship removal of an ant-covered Jesus video by the Smithsonian Museum, we wanted to make one thing clear and we couldn’t think of a better way to do it then with Johnny Phoenix’s “A Note to All the Indigenous People Everywhere” (2010) at McCaig-Welles Gallery, which is on view at Fountain Art Fair.
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
This week, the return of the “dumbphone,” the future of music criticism, and a primer on how to title an academic paper.
Perfectly timed for maximum press attention, the performative closure of the country’s pavilion is opportunistic and cynical.
By interacting with Eloïse Bonneviot and Anne de Boer’s spatial installation in Prague, viewers create speculative scenarios for an ecologically aware city.
Each of 69 squares is being sold as a print to directly support a family trying to flee Gaza.
Guerrilla Girls share an MLK-inspired letter the artist sent them in 1994.
Register for credit-bearing summer art studios (online and in-person) for high school and college students to explore new ideas and artistic media at Cornell AAP.
The exhibition Disguise the Limit highlights the many different ways Yau has worked with a wide range of visual artists over the past five decades.
Beatriz Nascimento’s groundbreaking research defied dominant White Brazilian academic narratives, instead emphasizing Black political agency.
Women figurative realist painters can propel their careers by entering to win $50,000 and a traveling solo exhibition of their work. Applications are open through October 4.
“My practice has grown in new ways just from being in close proximity to other artists.”
Photojournalist Mohammed Salem captured a Palestinian woman embracing the body of her niece, who was killed by an Israeli airstrike.
