A former Brooklyn artist who has since moved to the Catskills, you can visit his website (stevenweinbergstudio.co) or follow him on Twitter (@steven_draws) for more information. And here's the link to... More by Steven Weinberg
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Through the end of the year, Hyperallergic will feature readers’ tributes to artists in their communities.
The couple who bought N.C. Wyeth’s “Ramona” (1939) for just $4 said it’s “the biggest disappointment ever.”
The return of Open Source Gallery’s Gala and Annual Art Auction is met with a groundswell of support from artists and collectors.
The newly unearthed funerary stone suggests that ancient societies may not have adhered to strict gender binaries.
“Filming in a kitchen is like working with a ballet or theater company,” the filmmaker told Hyperallergic in an interview for the release of his new film Menus-Plaisirs Les Troisgros.
The university’s IMDA program invites applications from interdisciplinary artists seeking to expand or reinvent their practice.
I can think of few other artists who, through the process of painting, are willing to place their work in jeopardy by denying the viewer a definition or resolution.
Moncho 1929’s latest exhibition questions what we mean when we say “history” or “beliefs” or even that something is “ours.”
As part of this program focused on teaching and studio practice, candidates will be selected for 10-week, quarter-long visiting professorships in fall 2024 or spring 2025.
Williams’s scholarly interest in the Black female form paralleled a decades-long private photographic practice that began in the 1980s.
He is accused of assaulting two women and displaying images of the alleged attacks in a New York exhibition.
What artists need most is something to blame for not making art. “…Can’t paint because the light is not “right.” …can’t paint because my stomach is growling from hunger (a very time honored and romantic excuse) …can’t paint when the rest of the house is in disarray or there are dishes to be done (I am often guilty of this one.)
But, in truth, when you are actually in “the zone” nothing can distract you from making art. So the answer is “no.” We do not need silence to create more than we often need the excuse not to be creative. What we need are more ways to just get us into “the zone.” What are your techniques for that?