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On a recent RT America segment, a Catholic League spokesperson is calling David Wojnarowicz’s “A Fire in My Belly” video anti-Christian and compares ants on Jesus to “putting a swastika on a synagogue.” The video was part of the Smithsonian’s Hide/Seek exhibition and was recently pulled when various right-wing politicians, goaded by the Catholic League, manufactured outrage at 10 seconds in a 30-minute video.
Jeff Field of the Catholic League reveals his ignorance of art when he says, “Art is supposed to be beautiful.” What world does he live in since that has never been the sole criteria in any era.
Victoria Reis, Executive & Artistic Director of Transformer Gallery, is an articulate champion of the separation of church and state and she hits the nail on the head when she says, “I actually find it offensive that the Catholic League thinks that they’re speaking for all Christians or all Catholics.”
It’s worth noting that Field calls art, “the hobbies of the cultural elite,” which reinforces what many of us suspected, that the right are trying to spark up the culture wars of the 1990s again. My thoughts: bring it, since America is not the same place it was in the early 1990s and this issue is much too important to ignore.
More interesting tidbits on the controversy over at Modern Art Notes.
Hat tip @BoBartlett
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.