


A former Brooklyn artist who has since moved to the Catskills, you can visit his website (stevenweinbergstudio.co) or follow him on Twitter (@steven_draws) for more information. And here's the link to... More by Steven Weinberg
A former Brooklyn artist who has since moved to the Catskills, you can visit his website (stevenweinbergstudio.co) or follow him on Twitter (@steven_draws) for more information. And here's the link to... More by Steven Weinberg
Comments are closed.
Through the end of the year, Hyperallergic will feature readers’ tributes to artists in their communities.
The couple who bought N.C. Wyeth’s “Ramona” (1939) for just $4 said it’s “the biggest disappointment ever.”
The return of Open Source Gallery’s Gala and Annual Art Auction is met with a groundswell of support from artists and collectors.
The newly unearthed funerary stone suggests that ancient societies may not have adhered to strict gender binaries.
“Filming in a kitchen is like working with a ballet or theater company,” the filmmaker told Hyperallergic in an interview for the release of his new film Menus-Plaisirs Les Troisgros.
The university’s IMDA program invites applications from interdisciplinary artists seeking to expand or reinvent their practice.
I can think of few other artists who, through the process of painting, are willing to place their work in jeopardy by denying the viewer a definition or resolution.
Moncho 1929’s latest exhibition questions what we mean when we say “history” or “beliefs” or even that something is “ours.”
As part of this program focused on teaching and studio practice, candidates will be selected for 10-week, quarter-long visiting professorships in fall 2024 or spring 2025.
Williams’s scholarly interest in the Black female form paralleled a decades-long private photographic practice that began in the 1980s.
He is accused of assaulting two women and displaying images of the alleged attacks in a New York exhibition.
I love Straw Man’s fashion!
Not just Koons…retirees with money in the bank take up art and do it full time…I know because alot of them are my students …hard not to be resentful at times when I’m struggling artistically and financially but helping them along at the same time in their leisurely lifestyle of art and travel. But I understand why they do it of course and respect them for it ..I don’t like feeling this way but can’t help it at times.
I think that modicum of resentment is completely understandable and natural. it’s hard not feeling a bit embittered when I talk to friends claiming to be “professional artists” who are essentially supported by their spouses. About 1/3-1/2 of my income comes as art sales (depending on the year) and the time I have to spend earning the other 1/2-2/3rds keeps me out of the studio far too often. Anyone who who gets to spend unfettered time on their artwork without concern of financial matters is bound to stir a bit of pique.
Thanks for understanding hytone
Totally get this. I am constantly confused why people who suddenly decide to “be an artist” don’t understand why galleries and curators are not choosing them over those artists who have spent years and thousands of dollars in art school as a first career.
You know so much of this discussion seems to be based around ego and really an avoidance of the main thrust of any artist making a living in the art -market today …..”work “…really hard…focused….work…….not expectancy ..or entitlement …..not resentment or ..”oh God I had such a grey day yesterday”…couldn’t get anything done . I think , perhaps , if the tablets and the networking and the discussions and the “scream my fabulousness from the mountaintops “were compromised for just an hour or a morning or an afternoon , many beautiful gestures would be created ,art and imagination manifested in medium , craft honed and messages relayed , the art-world would be a better place…everybody wants to be FAMOUS ……get over it!