Since the art world depends on tight-lipped kowtowing to the power$ that be, I can’t think of a field that needs a “Wikileaks” more than the art world.
The recent Los Angeles MOCA censorship story regarding the Blu mural must have a paper trail somewhere or at least information that has not been made public yet. I’ve been calling and emailing MOCA for two days (Friday and Monday) and I haven’t had a single response from my queries. Others have told me their experiences are identical to mine. Something is rotten in the state of Deitch-mark and we want to know what that is.
And as Barbara Kurger reminds us in one of her pre-digital pieces, “Your comfort is my silence,” and we don’t want the powers that be to be too comfortable now do we?
And, just so you know, always feel free to tip us off at our contact form. We will respect your privacy.
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.
Time is itself a recycling process for Cole, whose freewheeling spirit transcends linearity in his excavations of art and music history.
A journey spanning three continents over 1,500 years comes to the National Mall in Washington, DC. On view at the Smithsonian’s NMAA through September 18.
Drawing from a wide range of personal influences, McQueen deconstructed myths and facts and refashioned them into his desired story.
Intervención/Intersección, the latest venture from MASA Galería, is a humming subversion of what public art can look like.
Graduate student work representing 19 disciplines is featured in a digital publication and returns as an in-person exhibition at the Rhode Island Convention Center.
The phishers posted an “official minting link” to a fraudulent raffle from the famous NFT artist’s account.
Through jubilant performances and speeches, the city’s first-ever Blasian March connected the large but disparate communities.
Installations by Jessica Campbell, Yasmine K. Kasem, Suchitra Mattai, Haleigh Nickerson, and Nyugen E. Smith are now on view at JMKAC in Sheboygan, Wisconsin.
“I am an artist and a human being struggling to get out of this unjust prison, but every day my love of free and honest art grows firmer,” the persecuted artist said in a statement from a maximum-security prison in Cuba.
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.