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Just when you thought this story may be dead, Italian street artist Blu, whose mural was whitewashed by MOCA last week, has shot back at Jeffrey Deitch’s brush-this-all-under-the-rug mentality with a fiery statement he emailed to the LA Times:
It is censorship that almost turned into self-censorship when they asked me to openly agree with their decision to erase the wall. In Soviet Union they were calling it ‘self-criticism.’
Deitch invited me to paint another mural over the one he erased, and I will not do that.
How will the art world react to the fact that a major museum director, and not some museum bureaucrat (as in the case of the Smithsonian’s Wojnarowicz censorship) has actively censored a prominent artist? I can’t imagine with anything short of outrage.
I contacted the LA MOCA’s press department 15 minutes ago, and they said there is no official response to Blu’s statement, but they will let us know when there is.
Animal New York has responses from Ron English, Faile and other prominent street artists who aren’t happy with MOCA and Deitch either.
One thing is for sure, this issue is NOT going away any time soon.
Also read LA Times art critic Christopher Knight on what Deitch’s MOCA did wrong and how MOCA avoided similar problems in the past with equally political artists.
Original image: Blu’s MOCA mural being whitewashed (via Unurth, image by Casey Caplowe, and used with permission)
Tabitha Arnold’s rugs pay tribute to organizers who lay their bodies on the line in the workplace, in the public square, and in the depths of private prisons.
The intentionality of Booker’s abstraction gives me the impetus to discuss something about the current zeitgeist that’s been on my mind for a while.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
After years in the making, New Time opens at the Berkeley Art Museum and Pacific Film Archive.
The museum details the process of moviemaking, from its inception in storytelling all the way to its marketing. But interwoven into these exhibits are ugly truths.
Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.