Hyperallergic now has 6,500+ Tumblr followers, 4,400+ Facebook fans, 3,000 Twitter followers, and 1,900 feedreaders, not to mention the thousands of daily visitors. So, make sure you stay in touch and join us on Tumblr, Facebook, and Twitter. Or subscribe to our daily posts through a feed reader or via email.
If all of that is too much for you and you simply want the week’s highlights, we have the perfect solution: our weekly newsletter. SUBSCRIBE NOW.
Veken Gueyikian is publisher of Hyperallergic. More by Veken Gueyikian
Through the end of the year, Hyperallergic will feature readers’ tributes to artists in their communities.
The couple who bought N.C. Wyeth’s “Ramona” (1939) for just $4 said it’s “the biggest disappointment ever.”
The return of Open Source Gallery’s Gala and Annual Art Auction is met with a groundswell of support from artists and collectors.
The newly unearthed funerary stone suggests that ancient societies may not have adhered to strict gender binaries.
“Filming in a kitchen is like working with a ballet or theater company,” the filmmaker told Hyperallergic in an interview for the release of his new film Menus-Plaisirs Les Troisgros.
The university’s IMDA program invites applications from interdisciplinary artists seeking to expand or reinvent their practice.
I can think of few other artists who, through the process of painting, are willing to place their work in jeopardy by denying the viewer a definition or resolution.
Moncho 1929’s latest exhibition questions what we mean when we say “history” or “beliefs” or even that something is “ours.”
As part of this program focused on teaching and studio practice, candidates will be selected for 10-week, quarter-long visiting professorships in fall 2024 or spring 2025.
Williams’s scholarly interest in the Black female form paralleled a decades-long private photographic practice that began in the 1980s.
He is accused of assaulting two women and displaying images of the alleged attacks in a New York exhibition.
