France’s chief of state has pledged his support for the American artist Paul McCarthy, after the artist’s 80-foot-tall inflatable sculpture “Tree,” which bares an uncanny resemblance to a butt plug, proved intolerable to prudish Parisians.
“France will always be on the side of artists, just as I am on the side of Paul McCarthy, whose work was sullied, no matter what one’s opinion of the piece may have been,” said François Hollande at last night’s opening of Paris’s Fondation Louis Vuitton, according to Agence France Presse. “We must always respect the work of artists … France is always ready to welcome artists and creatives coming from every country in the world.” Both McCarthy and his artwork were attacked, forcing the piece’s emergency de-installation.
“France is no longer herself when she is folded in on herself, tormented by ignorance and intolerance,” Hollande added hyperbolically. “The country would plunge into decline if it refused to be itself, if it was afraid of the future, afraid of the world.”
The sculpture had been inflated in Paris’s Place Vendôme as part of the public art programming surrounding this week’s art fairs in the French capital. Now, visitors to the Foire Internationale d’Art Contemporain will have to content themselves with just one giant erotic monument.
Some museums are opting for new language to describe the preserved individuals in their collections who were once living humans.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Located in Des Moines, Iowa, this residency for emerging and established artists includes studio and living space, a $1,000 monthly stipend, and more.
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Fayneese Miller is under fire after the school failed to renew the contract of an adjunct who showed artworks depicting the Muslim Prophet Muhammad.
Fully-funded teaching assistantships are standard for MFA students at the top-ranked, flagship research university in the state of New York.
Hundreds of visitors were evacuated from the Incan site over the weekend.
The artist’s works resonate in West Texas, where the story of dehumanized and exploited migrant laborers is tangible and ever-present.
A posthumous show of Price’s work is curated by James Hart of Phil Space, the self-proclaimed “gallerist of death.”
She has raised generations of Bay Area artists and changed the local landscape with her public artworks, colleagues tell Hyperallergic.