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The so-called John Lennon Wall in Prague, which, since its namesake’s assassination in 1980, has been a popular destination for tourists, taggers, and street artists, was completely erased with white paint on Monday by an artist collective calling itself Prague Service.
Buffing years of accumulated graffiti, the group left the wall entirely white save for the sentence “Wall Is Over!,” the AFP reported, an allusion to the subtitle of Lennon’s song “Happy Xmas (War Is Over).” The artists timed their white-washing to coincide with the 25th anniversary of the Velvet Revolution — the nonviolent uprising that led to the end of Communism in Czechoslovakia — and said they hoped that their gesture would “offer a free space for the messages of a rising generation,” according to the AFP.
It didn’t take long for others to take advantage of the free space and begin filling the Lennon Wall with tags again. However, the wall’s owner, the Order of Malta, was not so quick to dismiss the incident, and is pursuing legal action against the artists.
Though intended as an homage to Czechoslovakia’s overthrow of Communism, the collective’s wholesale buffing of the popular attraction unwittingly replicated the behavior of the former Communist authorities, who regularly painted over the subversive messages inscribed on the wall during the 1980s. Prague’s Lennon Wall recently inspired a similar mural in Hong Kong as part of the city’s ongoing pro-democracy demonstrations.
Every utopia is a social experiment, the artist suggests in this commission for the Performa performance art biennial, and we’re ultimately the guinea pigs.
“You can’t live in a house that’s built upon your back.” This is one of the more memorable phrases spoken by the scripted lovers of Tschabalala Self’s Sounding Board, what Performa describes in its promotional materials as an “experimental play.” That phrase, uttered by one romantic partner to the other, operates as guidance, warning, dictate,…
The show, which honors the 50th anniversary of an exhibition history once ignored, continues a series of projects documenting Wilmington’s contemporary art scene.
A commitment to trans subjects, and their queer communities, is manifested as a holding environment made approachable by our concern, grounded in intimacy and legacy, enfolding any viewer who will stop, listen, and receive love.
Todd Chandler’s documentary Bulletproof looks at the many people monetizing the societal rot of school shootings.
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
The artists released the risograph-printed booklet series Organizing Power to assist in the arduous process of assembling a bargaining unit and negotiating.
From 1963 through 1968, Warhol produced nearly 650 films, including hundreds of Screen Tests and dozens of full-length movies.
Melvin Edwards, Maren Hassinger, and Alison Saar are among the artists kicking off the Destination Crenshaw initiative.