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Editor’s note: This is the fourth piece in a series of articles, images, interviews, and essays for the #hypersalon catalogue. The online publication accompanies Hypersalon, a weeklong series (December 2–7, 2014) of salon-style exhibitions, artist talks, and conversations on the conditions of networked culture in contemporary art.
Everett Kane and I got inspired to revisit the “Tree-Man” in the “Hell” panel of Hieronymus Bosch’s “Garden of Earthly Delights,” which some people claim is a self-portrait. We worked in ZBrush, Maya, and with a Dimension 3D Printer to produce this small sculpture. My nicknames for it are “bio-tech, post-human, networked escape pod” or “portable-apocalyptic-living-bordello-unit.”
In a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Mr. Bernatowicz, in your introductory text you talk about the need for honesty, the disease of hypocrisy, overreaching governments. You do not fulfill a single one of your own ideals.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
Ed Roberson’s motorcycle ride from Pittsburgh to the Pacific is a quest-romance, an exploration of American culture and American mythology.
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
The legendary performer Ricky Jay amassed a collection of about 10,000 rare books, posters, and artwork about all things esoteric.
The proceeds will benefit the BDC’s community-centered initiatives and exhibitions.