Conservators are probably the closest thing the art world has to surgeons. With care and precision, they repair wounds caused by old age, negligence, and, every once in a while, crazed attackers — as happened in 2012 to Claude Monet’s “Argenteuil Basin with a Single Sailboat.” Painted in 1874, it was punched by an angry madman as it hung in Ireland’s National Gallery.
The team tasked with repairing the artwork had their work cut out for them. The assailant had left a massive triangular tear in the middle of the canvas, and some of the paint had been so badly pulverized that it couldn’t be reattached. Over the course of two years, conservators worked carefully to repair the painting and restore it to its original condition. A true labor of love, the project was recently documented on the museum website and has been reproduced here with its permission. Take a look.
Artist Dan Jian makes the point that landscapes and memory are one and the same.
Murch’s painted dust can be so tangible you feel compelled to wipe off the picture.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
“As we grieve her loss, we call for full accountability for the perpetrators of this crime and everyone involved in authorizing it,” they wrote in an open letter.
The planned center will be named after Fred Rouse, a Black man who was lynched in the city of Fort Worth in 1921.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
The researchers found that when eyes meet, certain areas of the brain start experiencing “neural firing.”
From 1968 to 1973, the Nihon Documentarist Union did radical documentary work in Japan. They made two films in Okinawa before, during, and after its reversion.
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
Sprawling across the Joshua Tree region, nine site-specific works consider the ways in which people have relocated to the desert, destroying what came before them, and cultivating new life.
The rendition could be a platform for essential conversations on sociohistorical and economic land rights issues.