There are few small pleasures more delightful than opening the mailbox to find a holiday card from a friend. It doesn’t matter if it was mass produced in a factory and sold in bulk at Costco; it still has an inexplicable ability to make us feel appreciated. Send a homemade card, though, and chances are pretty good this pack rat will never throw it away.
That’s what makes perusing the unusual cards in Handmade: Artists’ Holiday Cards from the Archives of American Art at the Morgan Library such a joy. Drawing from the Smithsonian’s collection, the show includes 60 examples of cards made by artists like Helen Frankenthaler, Ad Reinhardt and Philip Guston. Each reflects the unique personality of its maker. Claes Oldenburg’s playful 1965 card to curator Samuel Wagstaff depicts a fat pig spouting the gobbled greeting “Macky Exmouse,” while Julia Thecla’s undated card to Katherine Kuh features a fuzzy snowman offering up “a year’s supply of happiness” — proof that a little creativity mixed with thoughtfulness can go a very long way.
Musician and activist Charles Murrell said he was assaulted by members of Patriot Front on his way to work.
“Nana Harriet risked life and limb to be free so that no one White person would benefit off her person. And now we have someone white benefiting off of her,” said artist Maisha Sullivan-Ongoza.
This destination for modern and contemporary art showcases the vibrant arts community of the Pacific Northwest alongside galleries from around the world, open July 21 through 24.
As the global consensus on restitution passes the tipping point, some skepticism towards these sudden, improbable Damascene conversions towards restitution is probably justified.
The Renaissance master was boundlessly ambitious and intimidatingly energetic, charming, good-looking, diplomatic, and utterly opportunistic.
Part of a media project by Dr. Imani M. Cheers, Framing Fatherhood is on view at the George Washington University’s Corcoran School of the Arts and Design in DC through July 31.
Zadie Xa’s quilted textiles and Hernan Bas’s paintings of adolescent men enjoy a surprising but generative dialogue at San Francisco’s Jessica Silverman gallery.
While Koons may be a man on the moon, he’s looking back at Earth, oblivious to the vastness behind him, if only he would turn around.
International audiences have free access to the media collections of MMCA Korea, Sharjah Art Foundation, and ArkDes through this subscription-based art streaming platform.
Croatian filmmaker Antoneta Alamat Kusijanović’s debut feature accurately captures a certain kind of Balkan machismo.
The Getty Foundation announced late last week a new pilot program for emerging arts professionals from historically underrepresented groups, funding two-year positions at 10 Los Angeles arts institutions. The Getty Marrow Emerging Professionals pilot program — named after Deborah Marrow, the former Getty Foundation director who spearheaded an undergraduate internship initiative at the organization —…
Contemporary artist studios in Karachi prioritize pragmatism; many resist a traditional understanding of spaces with singular purposes.