Support Hyperallergic’s independent arts journalism.
In 2013, the National Gallery of Art began digitizing their enormous collection of roughly 18,000 watercolors from the Index of American Design. The index began in 1935 as a component of the Federal Art Project, part of the Works Progress Administration. Over the six years that it functioned, the index employed approximately 1,000 artists to paint image records of American design items spanning from the colonial period through the 19th century.
At the heart of the project was a duality between creating new art while chronicling the old. Each watercolor is a work in its own right, credited to a particular artist, while also recording the mostly anonymous design and craftsmanship of others. The artists often painted while viewing the original objects, capturing an incredible amount of detail in the delicate beauty of watercolor.
The latest additions to the NGA Index image collection range from a peacock feather fan to ironwork architectural ornaments. The paintings of cast and ornamental iron by Gilbert Sackerman are especially appealing. One can see a measure of artistic license in them; Sackerman uses color and shadow to foreground parts of each image, while muting the backgrounds in beiges. In contrast to the paintings that portray small objects against a white surface, Sackerman’s works give the sense of a broader environmental context, an idealistically charming portrayal of a manicured America that bears little resemblance to the Great Depression out of which it grew.
Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
There is not a hint of psychological trauma in Astrup’s art, despite the parallels in his own experience to that of his countryman Edvard Munch.
The Greenberg Steinhauser Forum in American Portraiture Conversation Series continues with presentations on Hung Liu, African Methodist Episcopal aesthetics, and the Oak Flat conflict.
Inspired by her foremothers’ recycling of materials, Jan Wade creates altarpieces, shrines, and memory jugs out of found objects.
This retrospective of the work from a São Paulo photo club is a reminder that Modernism was not solely a European phenomenon.
After students around the world responded to online classes by the historic art school, the League launched e-telier™ to elevate its digital learning experience.