The 2015 Armory Show delivers pretty much what you’d expect of the 2015 Armory Show: some quite good art, some pretty bad art, and a lot of completely harmless stuff in between. The long-running fair feels, for better or for worse, quite set in its ways, and its ways are those of the traditional art fair; no secret bars or booths-turned-totally-wacky-installations here.
There can be a certain charm in that — or, if not quite “charm,” a certain amusement, predicated on accepting the fair for what it is and letting it entertain and wash over you. In that spirit, I decided it might be nice to hand out accolades this year, to salute the galleries and artworks that — for better or for worse, among the hundreds of others (in the Contemporary section; I did not visit Modern) — moved me to stop and take their pictures. Here they are.
Most Bookish Booth: mfc-michèle didier
Given that mfc-michèle didier is a publisher, it’s not entirely surprising that the booth focuses on printed objects like books. Still, it was a good booth. In addition to Allen Ruppersberg’s binder book The Novel That Writes Itself (which collectors could buy their way into for the right price), the booth has a wall of imposing tomes by On Kawara, comprising a documentation trilogy of the artist’s daily conceptual exercises: I GOT UP, I WENT, I MET. In sharp relief to these precious objects is a funny photo series by the artist Muntadas, which documents the interchangeable nature of some of our beloved bookstores.
Best Booth to Linger In: Gallery Espace
Gallery Espace has, I think, put together one of the best booths at the Armory Show. It could be easily missed, because there’s nothing very flashy in it, but if you visit, you’ll be rewarded. Quirky, imaginative collages from Chitra Ganesh’s Cat Women series (2013) hold court in one corner, resonating with nearby Ritual Drawings by Manjunath Kamath — who also has a series of Miniature paintings (2014) on view around the corner. The artists share a playful surreality grounded in traditional figuration, and their work in small series connects them to Zarina Hasmi’s eye-catching black-and-gold collages that dominate the back wall.
Best Art-Fair Art: Zipora Fried at On Stellar Rays
On Stellar Rays is exhibiting in the Armory Presents section of the fair, which features solo or duo displays by galleries less than 10 years old. Artist Zipora Fried gets the whole booth, but this work is really all you can see. Nothing says “art fair” like a gold-tinted mirror propped up by a shitload of baseball bats.
Best Art Object Likely to Be Mistaken for Trash: Gavin Turk at Ben Brown Fine Arts
… Because, you know, it’s a lifelike trash bag! This one had all the eyebrows raising and the smartphones shooting today. Good thing it’s probably too heavy for security to accidentally throw out.
Best Ass and Air-Conditioning Combination: Andrew Kreps Gallery
The painting is Robert Overby’s “Summer Fram” (1977–86). The air-conditioning unit I couldn’t find wall text for. Is it art? Your guess is as good as mine.
Best Recycling Project: Bade Stageberg Cox, Street Seats
This is the fourth year that the Armory Show has asked Brooklyn architects Bade Stageberg Cox to design the fair. One of their standout projects — not new this year, but still great — is Street Seats, for which the firm salvaged pieces of furniture from the the sidewalks of New York City, repaired them, and painted them taxicab yellow. The chairs and tables would be cute regardless of their origin, but their recycled nature and connection to the city make them excellent design.
Best Oversize Christmas Ornament: Berta Fischer at James Fuentes
I couldn’t quite figure this thing out. I’m going with Christmas ornament because it’s colorful and hanging, although you’d certainly need a big tree. Barring that, maybe it’s hospital art? It does resemble a tangle of in-patient wristbands blown up and gone haywire.
Best Art That Looks Textured but Isn’t (Got Ya!): Amir Nikravan at Various Small Fires
These paintings by Amir Nikravan seem to be one of two things: either tantalizingly textured paintings or extremely well-Photoshopped prints. They are neither! In fact, Nikravan has a very elaborate process that involves using objects to create a pattern on a wood panel, then stretching fabric over it, then vacuum sealing the whole thing, then spray-painting the fabric, then removing it and mounting it on aluminum. Photoshop is so 2004.
Most Underwhelming: Michael E. Smith & Franz Erhard Walther at KOW
There is a place for both of these men in art, but that place is not here, together, comprising a booth so dull it makes your heart hurt.
Best Amalgamation of Things You’d Find in Your Home: Rachael Champion at Hales Gallery
Champion injects new life into a category of art I thought had been laid to rest in 2009.
Best Art Befitting Its Gallery’s Name: Nick van Woert at OHWOW
How do all those rocks stay balanced? How does this thing not topple over? Wait, wait, it’s made of copper? Oh wow!
Best Art That Is Also a Functioning Slot Machine: Andrew Ohanesian at Pierogi Gallery
Those who can’t buy, gamble.
Most Photogenic Art with No Discernible Meaning: Glenn Kaino at Honor Fraser
According to the explanatory materials on offer at Honor Fraser, “the form [of Glenn Kaino’s ‘A Shout Within a Storm’] appears to change relative to our experience of the position of the viewer, suggesting a set of contingencies that reflects our experience of the world.” I really couldn’t tell you what that means, but this thing sure is fun to photograph. See?
Best Lumpy Ceramics: Benedetto Pietromarchi at Josh Lilley Gallery
Surprisingly, I didn’t see any other lumpy ceramics on view at the fair, so this may be an unfair contest. But I do enjoy these pieces by Benedetto Pietromarchi; they strike just the right balance between beautiful and weird.
Best Immersive, Color-Coordinated Booth: Michael Müller at Aanant & Zoo/Galerie Thomas Schulte
I didn’t honestly have enough time to spend in this booth, reading all the text and taking everything in. But a short walk through suggests that it’s worth spending time with. The booth feels like a rarity at an art fair: a complete presentation that foregrounds the artist’s vision.
Best Thing Sewn Together from Other Things: Aiko Hachisuka at Eleven Rivington
The only thing wrong with this is that you’re not allowed to sit on it.
Best Selfie Bait: Jeppe Hein at Johann König
I’m not sure what reason this could possibly have for existing besides selfies. Editions for every night-club bathroom in Chelsea!
Best Donald Judd Remake for the 21st Century: Ryan Gander at Johnen Galerie
Because Ikea shelves are the building material of the 21st century, and if their assembly is DIY anyway, why not stack them? The plant is an especially nice touch — a domestic rejoinder to the austere machismo of Minimalism.
Highest Art: Jessica Stockholder at Kavi Gupta Gallery
There are most certainly fewer women than men represented at the Armory Show, but at least the women who are there will not allow themselves to be limited by silly things like booth walls. From afar, this nifty sculpture by Jessica Stockholder seems to climb over Kavi Gupta‘s wall; close up, it dangles madly. I appreciated that it was literally the highest art I could find.
Most Striking Photographic Portraits: Valérie Belin at Galerie Nathalie Obadia
There are a lot of photographic portraits at this year’s Armory, many of them excellent: a booth devoted to George Dureau, gorgeous pictures by Zanele Muholi. But these two by Valérie Belin at Galerie Nathalie Obadia — which so unsettlingly toe the line between artifice and reality — stayed with me.
Best Thing Masquerading as Art: Gilles Barbier at Galerie Vallois
It’s certainly some kind of sculptural super-someThing.
Best Kehinde Wiley: Kehinde Wiley at Galerie Daniel Templon
With an exhibition at the Brooklyn Museum and his work on offer in at least three booths at the Armory Show, Kehinde Wiley is the man of the moment. I often feel like, once you’ve seen several Kehinde Wileys, you’ve seen them all, but this piece feels a lot richer and more thoughtful than his mega-portraits.
Biggest Abstract Painting: Secundino Hernández at Galerie Forsblom
When you can’t paint better, paint bigger.
The 2015 Armory Show continues at Piers 92 and 94 (West 54th Street at Twelfth Avenue, Hell’s Kitchen, Manhattan) through March 8.
Once denounced as “women’s work” with no artistic merit, embroidery is experiencing a revival, with a feminist punch.
Inspired by the journey made by the epic hero Homer’s Odyssey, a show at Villa Carmignac combines myth with contemporary issues.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Courtney Stephens’s documentary on women’s travels from the 1920s to ’50s presents not just personal glimpses into daily life a century ago but also documents of colonialism.
Laura Larson’s City of Incurable Women draws from archival materials to speculate on the lives of women who were famously hospitalized for hysteria throughout history.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
The company is asking users to verify their bank details via Plaid, a fintech company that recently settled a privacy class action lawsuit.
Each artist will receive $190,000 in cash and benefits from the Tulsa Artist Fellowship over a three-year period.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
The 1,000-year-old Cañada de la Virgen ceremonial site will be protected from encroaching development.
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.