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Tons of white LEGOs that will be used by High Line visitors to build the imaginary cityscape of Olafur Eliasson’s “The Collectivity Project” = 2
Pairs of laced shoes Vincent van Gogh painted over a flower still life, on view at Harvard Art Museums = 3
Odds given by London bookies that Edvard Munch’s “The Scream” would be stolen before it went to auction at Sotheby’s in 2012 = 20:1
Drops of water falling per second in DGT architects’ “Light in Water,” installed in the oldest concrete dome in Paris = 60
Age of Manoel de Oliveira, the oldest active filmmaker who passed away this week at his home in Portugal = 106
Statues of the Buddhist deity of mercy in Kyoto, Japan, nearing the completion of a restoration project started in the 1930s = 1,000 (and each considered a thousand-armed being)
Burials in a lost medieval cemetery revealed beneath Cambridge University, some of which did not fit in their graves as they were likely pre-dug = 1,300
Landscape architects living in California, the most of any state = 3,014 (compared to North Dakota with just 12)
People who saw a Ming Dynasty painting and calligraphy show at the National Palace Museum in Taipei in 2014, making it the most popular exhibition of the year = 1,131,788
Nothing is more boring than reducing Italian American identity into stereotypes, but artist John Avelluto avoids that with his wide-ranging aesthetic appetite.
“A Fountain for Survivors” is a protective, pink cocoon in New York City’s busiest district.
Presented by Japan Society and the Agency for Cultural Affairs in association with the Visual Industry Promotion Organization (VIPO), this hybrid film series continues through December 23.
75% of NFTs sell for an average of $15, study says.
Online, people are calling the courtroom drawing of Jeffrey Epstein’s alleged accomplice “creepy” and “horrific.”
From commissions to residencies and fellowships for artists, curators, and teachers, a list of opportunities that artists, writers, and art workers can apply for each month.
It is one thing to be a visionary and another to be one whose work holds your attention for a sustained period of time.
This affordable, interdisciplinary program with excellent facilities and private studios offers in-person instruction for 2022.
Regardless of which way the camera is pointing, Wearing shows a lively — and altogether merciless — interest in how people choose to tell their own stories.
Feldschuh understands that the actions and interactions of particles can be formulated mathematically but not illustrated visually.
Shellyne Rodriguez and Danielle De Jesus powerfully respond to the continued attacks on their neighborhoods with works that validate and uplift elements of everyday urban Latinx life that are usually devalued.