In the wee hours of Monday morning, three artists and a team of helpers illegally installed a bust of NSA whistleblower Edward Snowden in Brooklyn’s Fort Greene Park. The faux-bronze bust, designed to blend in seamlessly with the adjacent Prison Ship Martyrs Monument to soldiers of the Revolutionary War, was placed atop a previously empty plinth, with Snowden’s last name affixed beneath the bronze eagle at the column’s base.
“If this thing gets taken down right away we’ll certainly be disappointed, but we think it’ll be worth it thanks to the internet,” one of the artists told Animal, which filmed the pre-dawn installation. “The fact that a risk was taken, the fact that an image comes out of that event that can be passed around can never be undone. So you can rip the statue out, but you can’t erase the fact that it happened and that people are sharing it.”
This is not New York City’s first Snowden monument. A life-size sculpture of the former CIA worker and NSA contractor by artist Jim Dessicino was installed in Manhattan’s Meatpacking District as part of last year’s Art in Odd Places public art festival.
In his new works, Gober pulled me into another world, one that was both illuminated by natural light and full of cold shadows.
What’s difficult, perhaps impossible, to show in art is the experience of what passes beyond all comprehension.
Curator, educator, and transdisciplinary artist Jova Lynne is coming from MOCAD to lead Temple Contemporary exhibitions and public programs.
Testament at Goldsmiths College asks: Can any monument be removed of its tarnish?
Hiding in plain sight, the box obscures a vast legacy of inequality without undoing it. It removes the most visible source of conflict without addressing the root causes.
Featuring underwater recordings from around the world, this immersive, site-specific installation is on view at the Lenfest Center for the Arts in NYC from February 3 to 13.
Unveiled as a part of the Prospect.5 triennial, the bronze is one of five new works that suggest new approaches to public statuary.
X-ray imaging revealed the hidden wounds on Yves Tanguy’s 1930 masterpiece, which was slashed violently during an attack on a Paris arthouse theater.
BRIC’s multidisciplinary program in Brooklyn has cohorts in Contemporary Art, Film & TV, Performing Arts, and Video Art. Applications are due March 10.
Their portraits will be included along with those of Venus and Serena Williams, José Andrés, Clive Davis, and Marian Wright Edelman.
Since 2017, the Gordon Parks Foundation has awarded annual fellowships to 10 artists in a range of disciplines.
To understand contemporary art, it is necessary to investigate the connections that are sometimes omitted or undervalued in art history.