In the wee hours of Monday morning, three artists and a team of helpers illegally installed a bust of NSA whistleblower Edward Snowden in Brooklyn’s Fort Greene Park. The faux-bronze bust, designed to blend in seamlessly with the adjacent Prison Ship Martyrs Monument to soldiers of the Revolutionary War, was placed atop a previously empty plinth, with Snowden’s last name affixed beneath the bronze eagle at the column’s base.
“If this thing gets taken down right away we’ll certainly be disappointed, but we think it’ll be worth it thanks to the internet,” one of the artists told Animal, which filmed the pre-dawn installation. “The fact that a risk was taken, the fact that an image comes out of that event that can be passed around can never be undone. So you can rip the statue out, but you can’t erase the fact that it happened and that people are sharing it.”
This is not New York City’s first Snowden monument. A life-size sculpture of the former CIA worker and NSA contractor by artist Jim Dessicino was installed in Manhattan’s Meatpacking District as part of last year’s Art in Odd Places public art festival.
Artist Minouk Lim wants to offer a very different perspective on how one might deal with a grim history whose effects continue to be felt in the present.
This week: Should Washington have a national memorial for gun violence? Have cats used us to take over the world? What is Cluttercore? And more.
Organizers, artists, and land practitioners are holding public events at Iglesias Garden in a hub space supported by the Climate Justice Initiative, a project of Mural Arts Philadelphia.
The artist’s style blends aesthetic and cultural elements from Ghana, London, and New York’s graffiti scenes.
Workers told Hyperallergic that they were tired of meager pay and a lack of job security.
Jo Sandman / TRACES opens with a reception for the artist on June 3 at Black Mountain College Museum + Arts Center in Asheville, North Carolina.
Authorities say Jean-Luc Martinez helped facilitate the Louvre’s purchase of objects illegally pillaged during the Arab Spring.
The suspects attempted to take a Basquiat artwork valued at $45,000 from Taglialatella Galleries but instead made off with a half-empty bottle of whiskey.
Funding MFAs and all full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.