Support Hyperallergic’s independent arts journalism.
To put ideas discussed at Superscript into practice, Hyperallergic is partnering with the Walker Art Center to announce the Superscript Blog Mentorship. This responsive blogging program will create a pop-up newsroom in the Walker Art Center Library and engage a trio of enterprising bloggers in covering the three-day event.
Superscript: Arts Journalism and Criticism in a Digital Age is a three-day international conference (May 28–30, 2015) to be held at the Walker Art Center in Minneapolis, Minnesota. Co-presented by the Walker and Mn Artists, Superscript will convene artists, critics, editors, and writers for a discussion on digital cultural publishing’s present realities and its possible futures.
We are seeking three bloggers to create live online responses to the conference — under the guidance of three world-class editorial mentors, led by Hyperallergic’s Jillian Steinhauer — through short-form blogging, Q&As, profiles, issues essays, and other formats. Each participant will produce a series of blog posts to be published on the Walker blogs and Mn Artists throughout Superscript, leading up to longer piece for publication on Hyperallergic. This program aims to create a dynamic documentation of Superscript 2015 for attendees and online audiences alike, while offering emerging writers invaluable instruction from seasoned arts journalists, publication experience with three digital platforms, and access to the speakers and attendees of Superscript.
Each mentorship participant will receive:
- Free admission to Superscript (a $200 value)
- Journalistic mentorship from three top arts editors
- A $100 publication fee paid by Hyperallergic
- Publication bylines on Hyperallergic, the Walker Art Center blogs, and Mn Artists
- Access to the speakers and attendees of Superscript
- A Superscript T-shirt
- be available for a one-hour training session on Thursday evening, May 28, and throughout the duration of the conference
- have a fluent command of English (spoken and written)
- have a working knowledge of key digital tools including WordPress, Skype, Twitter, Instagram, etc.
- have knowledge of and interest in contemporary art in all its forms (visual, performing, moving-image art, and new media art; design; architecture; public practice) as well as online cultural publishing
- have access to a laptop and camera for use during the conference
- be self-motivated, energetic, and open to learning
- be calm under pressure, communicative, resourceful, and efficient
Open Call for Participation
Applicants must be within three years of graduation from college and cannot derive their main source of income from arts writing. They must have a demonstrable interest and commitment to the arts as well as enthusiasm and high energy.
To apply, please email the following to firstname.lastname@example.org, with “Superscript Blog Mentorship Application” in the subject line:
- Cover letter stating in 500 words or fewer why you’re interested in the program and what you hope to gain from it
- 2–3 writing samples (published or personal writing accepted)
All application materials must be submitted as a single PDF.
Deadline for applications: Wednesday, May 6, 2015.
Jillian Steinhauer is senior editor of Hyperallergic and a writer living in Brooklyn. Her work has been published in Slate, the Los Angeles Review of Books, The Paris Review Daily, and other publications. A graduate of NYU’s Cultural Reporting & Criticism program, she was recently nominated for the 2014 Best Art Reporting award from the International Association of Art Critics. She’s served as juror/judge for art festivals, cat video festivals, and tote bag competitions. (@jilnotjill)
Nicole J. Caruth is the former editorial manager at Art21 and founding editor of the Art21 Magazine (est. 2013). Her writing has appeared in a range of publications, including ARTnews, C Magazine, Gastronomica, Public Art Review, Walker Art Center Magazine, and the Phaidon Press books Vitamin Green and Vitamin D2. She has held positions at the Brooklyn Museum, School of Visual Arts, and Wangechi Mutu Studio. She is currently Artistic Director for Exhibitions and Public Engagement at the Bemis Center for Contemporary Arts. (@nicolejcaruth)
Isla Leaver-Yap works with artists to produce texts, events, and shows. As the Bentson Film Scholar at the Walker Art Center, she researches and publishes on works in the Ruben/Bentson Film and Video Study Collection, and examines its context and legacy within the field of artists’ moving image in contemporary art. She is currently working with artists Moyra Davey and James Richards on producing new works for the collection. She is based in Glasgow, where she is the Project Director of LUX Scotland, and commutes twice a year to the Walker. (@islaly)
Paul Schmelzer is editor of the Walker homepage and blogs. A past editor at Adbusters he’s written for Artforum.com, Art 21, Cabinet, Medium.com’s re:form, Raw Vision, and Utne Reader, among others. Former editor of the Minnesota Independent and managing editor of its DC-based nonprofit parent, he’s the first digital journalist in Minnesota history to win a Society of Professional Journalists Page One Award or a University of Minnesota School of Journalism Frank Premack Award for Public Affairs Journalism. He blogs at Eyeteeth.org. (@iteeth, @walkermag)
Susannah Schouweiler is a writer, arts critic, and editor-in-chief of Mn Artists, an artist-driven, online media platform based at the Walker Art Center covering the art and artists of the Midwest. Before her work with Mn Artists, she served as the editor of Ruminator, a nationally distributed art and literature magazine. She lives and works in St. Paul, Minnesota.(@susannahs, @mnartistsdotorg)
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
Anarchist illustrator N.O. Bonzo produces decentralized media in a highly bureaucratic cultural landscape. Their illustrations, murals, and literature emerge in unexpected places, from the streets of Portland, Oregon, to the far ends of Reddit and Twitter, addressing relations of labor and identity in the workplace and on the streets. Growth and care are central themes…
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.