This week, swapping a run-down house and a Henry Moore sculpture, only 18% of Artforum covers have featured art by women, the mysterious world of the “sneakernet,” how Imelda Marcos bought a Goya, and more.
I tend to want to publish things that don’t exist, that nobody else does. There are no good comics for young kids because nobody has ever bothered to do this before. I wouldn’t want to be in the business of publishing what I was publishing with Raw—independent comics—because there are plenty of people who are doing it just fine: Drawn and Quarterly and Koyama Press and First Second and so on. But I still feel like we fill a need. We’re doing everything we can to actually get our books in the hands of kids who don’t necessarily have parents who would be reading books to them at home. I’m more concerned about them getting good books. There’s still a sense of mission, of doing something useful, which allows me to still have a publishing business.
Specifically, A. Bitterman would shift to the east Henry Moore’s Sheep Piece (1971–72), a public sculpture at the Nelson-Atkins Museum of Art, while a vacant house would take up pride of place on the museum grounds, adjacent to the world-famous Shuttlecocks by Claes Oldenburg and Coosje van Bruggen.
Of the 526 monthly covers produced since 1962, when the prestigious art industry bible first launched, only 18% feature art by women. Works by male artists made a whopping 74% of the covers; 8% are unidentified, since they feature works such as historic African sculpture, in which the artist goes unnamed.
Indeed, the practice of sneakernets is global, with political consequences in countries that try to curtail Internet access. In China, I saw many activists trading media files via USB sticks to avoid stringent censorship and surveillance. As Cuba opens its borders to the world, some might be surprised that citizens have long been able to watch the latest hits from United States, as this Guardian article notes. Sneakernets also apparently extend into North Korea, where strict government policy means only a small elite have access to any sort of connectivity. According to news reports, Chinese bootleggers and South Korean democracy activists regularly smuggle media on USB sticks and DVDs across the border, which may be contributing to increasing defections, as North Korean citizens come to see how the outside world lives.
But the actual problem with the Internet isn’t us hastily tweeting off about foolish people. The actual problem is that none of the men running those bazillion-dollar Internet companies can think of one single thing to do about all the men who send women death threats.
Ferdinand Marcos was overthrown in February 1986. Philippine authorities took possession of what assets could be found, including Imelda’s trove of 2700 pairs of high-fashion shoes. She had also assembled a collection of sketchy paintings attributed to big Western names: Botticelli, Raphael, Michelangelo, Titian, El Greco, Velázquez, van Gogh, Picasso, etc., etc. Needless to say, those rich attributions drew raised eyebrows. The Frick Collection’s Everett Fahy called them “outrageous.” Many of the works had been purchased, for bargain prices, from the New York gallery of LACMA board member Armand Hammer. The works were intended for the Metropolitan Museum of Manila. Imelda spoke of building a world-class encyclopedic collection for the Philippine public, but it seems that most of the art purchased for it ended up in her private residences.
It can also give us hope for the future. A properly materialist reading of Game of Thrones can only conclude that, as a matter of historical necessity, in the fifth season the White Walkers will burst through the Wall, the dragons will break free from their petulant queen and her cloying white-savior complex, strange sea monsters will turn the Braavosi banking houses into heaps of rubble with a sweep of their vast tentacles, and all will unite with the smallfolk of the land to dethrone all the bickering pretenders, melt the Iron Throne into tractor parts, and build a new and better society.
And maybe one day, in the not-too-distant future, when Marxist theory is no longer needed, people will enjoy telling each other fantasy stories set in that strangest and most mystical of eras, a time of malign magic and crushing poverty — the early twenty-first century.
- The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
- Persepolis by Marjane Satrapi
- And Tango Makes Three by Justin Richardson and Peter Parnell
- The Bluest Eye by Toni Morrison
- It’s Perfectly Normal by Robie Harris
- Saga by Brian Vaughan and Fiona Staples
- The Kite Runner by Khaled Hosseini
- The Perks of Being a Wallflower by Stephen Chbosky
- A Stolen Life by Jaycee Dugard
- Drama by Raina Telgemeier
WASHINGTON, APRIL 14 — President Lincoln and wife visited Ford’s Theatre this evening for the purpose of witnessing the performance of ‘The American Cousin.’ It was announced in the papers that Gen. Grant would also be present, but that gentleman took the late train of cars for New Jersey.
The theatre was densely crowded, and everybody seemed delighted with the scene before them. During the third act and while there was a temporary pause for one of the actors to enter, a sharp report of a pistol was heard, which merely attracted attention, but suggested nothing serious until a man rushed to the front of the President’s box, waving a long dagger in his right hand, exclaiming, ‘Sic semper tyrannis,’ and immediately leaped from the box, which was in the second tier, to the stage beneath, and ran across to the opposite side, made his escape amid the bewilderment of the audience from the rear of the theatre, and mounted a horse and fled.
The groans of Mrs. Lincoln first disclosed the fact that the President had been shot, when all present rose to their feet rushing towards the stage, many exclaiming, ‘Hang him, hang him!’ The excitement was of the wildest possible description…
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
With its titular blend of Western culture and Asian ethnicity, Tyrus Wong’s “Chinese Jesus” painting embodies Asian American identity.
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
Imelda Marcos and her husband were accused of plundering billions of dollars from the country.
Probably not, but it sure looks like one.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.