


Hrag Vartanian
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. You can follow him at @hragv. More by Hrag Vartanian
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. You can follow him at @hragv. More by Hrag Vartanian
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Rather than focusing on death and suffering, a clichéd reality in Jewish culture, Peter Krasnow chose to paint vibrant, light-filled compositions.
A radical communion of painting and writing, Art on the Frontline reckons with the leftist political potential of Black visual and expressive culture.
Over 100 masterworks by 59 artists spanning the Ming and Qing dynasties are on view at China Institute Gallery in New York.
Timothy Martin and Joanna Smith face penalties of up to $250,000 in fines and five years in prison for smearing paint on the plexiglass case protecting the sculpture.
The longer I looked at Bailly’s “Vanitas Still Life with Portrait of a Young Painter” the more puzzled I became by it.
Join the New-York Historical Society on June 9 for a virtual conversation about Asian American art with Aleesa Pitchamarn Alexander, Abby Chen, and Melissa Ho.
Max Hooper Schneider’s Falling Angels at François Ghebaly evokes both ecological destruction and resurrection, decay and regeneration.
The nude figure as a subject has been a battleground issue for as long as it’s been a staple of fine art.
Tom Osgood’s final sculptures accompany design objects by his daughter Ravenna that celebrate domestic joys. On view at form & concept in Santa Fe, New Mexico.
Across the boroughs, artists are opening their studios for some much-needed creative collaboration as the summer vibes ramp up.
After 17 years and a catastrophic fire, the beloved Brooklyn Art Library has shuttered, but the thousands of unique sketchbooks contributed by artists live on.
Not knowing what to do with Obama’s inauguration, I’d chose the US Embassy in Morocco and decorate it with limited editions meant to appease the minds of art hoarders (err… collectors).
Most of us are guilty of the same sins, but at various levels.
Instead of amassing muscle cars, I’d buy some rights to distribute the Shark Tank TV show, to mingle with the likes of Mark Cuban and learn how the business world works.
Considering that anyone with $180 million to spare probably makes at least some of their fortune from slave labor:
You could pay your slaves $6 an hour for 30 million work hours (whether they’re sewing the clothes your company sells or building your condos in Dubai, whatever)
Well, the only two options that are not going to happen are demolition of the abandoned houses in Baltimore and laptop all students and teachers in Idaho. Which only goes to show that there is too much money in all the wrong places. Another option would be to employ 4% of unemployed artists in the US.