


Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
Comments are closed.
Outside of the blue-chip art world, some galleries and nonprofits are speaking out freely and publicly against Israel’s attacks.
Residencies, fellowships, grants, open calls, and jobs from Banff Centre, Tusen Takk, UC Davis, and more in our monthly list of opportunities for artists, writers, and art workers.
The latest episodes of the PBS documentary series explore the intersection between play and artistry, as well as the world of small objects and the artists who make them.
The anonymous street artist made the work in 2017, a year after Brexit, to criticize Britain’s decision to leave the European Union.
“No opera on a dead planet,” shouted the protesters during the second act of Wagner’s Tannhäuser at the Metropolitan Opera House in New York.
“Crux Australis 68.00”, the latest addition to the Rice Public Art collection, opens on December 13 in Houston, Texas.
This month: The irreverent feminist art of Marta Minujín, Molly Crabapple channels Toulouse-Lautrec, Sonya Kelliber-Combs’s cryptic visual lexicon, and much more.
This week, Israel destroys Gaza’s main library; a queer, climate-conscious song from Yo-Yo Ma; a giant pottery wheel, Spotify Wrapped, and more.
This affordable interdisciplinary program with well-equipped facilities and private studios is accepting applications for Fall 2024.
It’s easy to think of stone as static, immutable, but as Eternal Medium shows, stone is a slice of the earth itself, as alive as the artists who mold and shape it.
In the limited-edition risograph comic Rezbians, Selam shares a solution for the scarcity of queer Indigenous representation in pop culture.
Not knowing what to do with Obama’s inauguration, I’d chose the US Embassy in Morocco and decorate it with limited editions meant to appease the minds of art hoarders (err… collectors).
Most of us are guilty of the same sins, but at various levels.
Instead of amassing muscle cars, I’d buy some rights to distribute the Shark Tank TV show, to mingle with the likes of Mark Cuban and learn how the business world works.
Considering that anyone with $180 million to spare probably makes at least some of their fortune from slave labor:
You could pay your slaves $6 an hour for 30 million work hours (whether they’re sewing the clothes your company sells or building your condos in Dubai, whatever)
Well, the only two options that are not going to happen are demolition of the abandoned houses in Baltimore and laptop all students and teachers in Idaho. Which only goes to show that there is too much money in all the wrong places. Another option would be to employ 4% of unemployed artists in the US.