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Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
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Visual arts faculty, alumni, and staff are standing in solidarity with students as “art corners” and other creative initiatives dominate the encampments.
Filled with protest art, demonstrations across the country advocated for university funding amid right-wing President Javier Milei’s steep budget cuts.
Explore Rhode Island School of Design’s online intensives for high school students interested in pursuing art and design in college.
They join similar calls by workers at institutions including the Museum of Modern Art, the Metropolitan Museum of Art, and the Yerba Buena Center for the Arts.
Alain Kassanda’s Coconut Head Generation is a testament to how young people find themselves through each other no matter the place, times, or means.
Graduates of the Massachusetts College of Art and Design showcase their thesis work on campus and at the MassArt x SoWa Gallery, with public artist talks and screening on May 10.
At the core, all of Watt’s work shows a devotion to care and closeness, a desire to make tangible the layers of relations that bind and make us.
Chloe Scout Nix and Lena Smart challenge the distorted body images that prevail in mainstream media.
Work by 31 emerging visual and sound artists on view April 20–May 19 in NYC.
The peoples crushed under British imperialism might not find Hywel Pratley’s tribute to the late monarch and her dogs so endearing.
The institution acquired the bust from a Swiss art dealer who has been linked with the looted antiquities trade at other US museums.
Not knowing what to do with Obama’s inauguration, I’d chose the US Embassy in Morocco and decorate it with limited editions meant to appease the minds of art hoarders (err… collectors).
Most of us are guilty of the same sins, but at various levels.
Instead of amassing muscle cars, I’d buy some rights to distribute the Shark Tank TV show, to mingle with the likes of Mark Cuban and learn how the business world works.
Considering that anyone with $180 million to spare probably makes at least some of their fortune from slave labor:
You could pay your slaves $6 an hour for 30 million work hours (whether they’re sewing the clothes your company sells or building your condos in Dubai, whatever)
Well, the only two options that are not going to happen are demolition of the abandoned houses in Baltimore and laptop all students and teachers in Idaho. Which only goes to show that there is too much money in all the wrong places. Another option would be to employ 4% of unemployed artists in the US.