Periodically Hyperallergic delves into the video archives of the internet to present a daylong series we’ve named after the 1983 classic Canadian sci-fi film by David Cronenberg, Videodrome.
Sit back, relax, and let us plumb the depths for the fascinating, colorful, weird, insightful, and beautiful. Long live the new flesh!
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
Tiffany D. Gaines, Machiko Harada, Brianna L. Hernández, Álvaro Ibarra, and Brian Johnson are the recipients of this year’s fellowship.
Sokolow’s overarching concern in her current exhibition, Visualizing is with the coercive potential of built environments.
A founding member of Turkish contemporary art space SALT, Demir brings to NYUAD her training in non-Western modernism and commitment to global contemporary art and cultural production.
“Three Transitions” from 1973 depicts a slippery reality that thwarts the notion of video as an inherently “documentary” medium.
An ancient prison that once held enemies of the Roman state sits at the base of the Capitoline Hill, largely unchanged since it was first built.
Engage in experimental and intersectional research-based art-making at UF’s School of Art + Art History.
An exhibition at NYC’s Woodhull Hospital pairs works from the medical center’s collection with pieces made by people currently imprisoned at the jail.
Following yesterday’s guerrilla action within the institution, hundreds of protesters congregated outside of the Brooklyn Museum demanding a ceasefire in a planned march throughout the borough.
Explore new directions in your work with artists from around the world while being inspired by studio spaces and facilities in the Canadian Rocky Mountains.
Protesters demanded that the New York City institution sever ties with donors financially connected to Israel.
Artists and activists from various groups chanted, “Netanyahu, what do you say? How many kids did you kill today?”
