Books

Portraits from UK’s Historic and Obscure Pagan Festivals

John Nicol as The Bury Man, George Topping and Steven Cannon as Attendants at South Queensferry, Edinburgh, Scotland (© 2015 Henry Bourne)
John Nicol as The Burry Man, George Topping and Steven Cannon as Attendants at South Queensferry, Edinburgh, Scotland (© 2015 Henry Bourne) (all images courtesy Thames & Hudson)

Over a thousand years since Christianity rose to dominance in the United Kingdom, pagan traditions continue to thrive. Across England, Ireland, and Scotland, people regularly cover themselves in face paint, archaic garb, and even 11,000 thistle burrs to participate in rituals and processions whose Celtic, Germanic, and early Christian origins are often now too obscure to explain.

Cover of 'Arcadia Britannica' (courtesy Thames & Hudson)
Cover of ‘Arcadia Britannica’ (courtesy Thames & Hudson) (click to enlarge)

Photographer Henry Bourne began documenting these curious customs in 2009, and this month Arcadia Britannica: A Modern British Folklore Portrait published by Thames & Hudson includes 125 of his portraits. Bourne was in part inspired by the 19th-century photography of Sir Benjamin Stone, who was equally drawn to odd happenings like the Northumberland Baal Fires with their incendiary rites and the May Day festivals with elaborate flora outfits.

He was also influenced by Irving Penn’s mid-century portraits of residents of Cuzco in the Peruvian Andes, documenting their distinctive garb against a plain grey backdrop. Bourne traveled to different festivals and set up his tent with a white backdrop, and outside of the context of the greater spectacle the strange details of the costumes that mix the old and the new come clearly into focus.

“The wheel of the year features over seven hundred folklore events in the UK, for the most part linked to a specific season or date,” art director and Museum of British Folklore director Simon Costin, who often accompanied Bourne, writes in an introduction. He notes that with church attendance in decline “many of the events have disappeared or have lost some of their meaning.” However, those meanings are often long severed from any sort of concrete origin. For example, he relates how one of the reindeer antlers used in the Abbots Bromley Horn Dance in Staffordshire had a piece break off in 1976, which was then dated to 1065 CE. That’s after the extinction of reindeer in the region, adding the question of where the horns came from to why people hoist them yearly in a dance.

Pages from 'Arcadia Britannica' (photo of the book for Hyperallergic)
Pages from ‘Arcadia Britannica,’ showing Ben Jones as George, Hoodener, at Hoodening, St. Nicholas-at-Wade (photo of the book for Hyperallergic)
Pages from 'Arcadia Britannica' (photo of the book for Hyperallergic)
Pages from ‘Arcadia Britannica,’ showing Jamie Bradbury and Jeff Bradbury as horn dancers at the Abbots Bromley Horn Dance, Staffordshire (photo of the book for Hyperallergic)

“If anyone feels that modern life has left these rituals stranded as irrelevant archaisms or cast them into reaches unfathomable to any but the most fanatical, he or she need only glance at the newspapers,” curator and writer Robin Muir argues in her forward. She cites the incredible endurance of the Burry Man in Edinburgh, where a local man is covered head to food with spiky, insect-attracting burrs so that two attendants are needed to hold up his arms while he roams the city for sips of whisky. Back in 2014, a Burry Man was hospitalized when a piece of his costume became lodged in his eye.

More serious than such wardrobe hazards is that a few of the festivals traditionally have participants paint their faces black, something that got Prime Minister David Cameron into a bit of controversy when he posed with one group, the Coco-nutters. Some of the origins of these outfits may be mining or chimney sweeping rather that racist blackface, but in some instances that appears unlikely — two people photographed for the Lewes Borough Bonfire Society were also sporting animal pelts and feathered headdresses adorned with skulls.

Considering the portrait sitters are by and large white, it’s something Arcadia Britannica could have explored more deeply outside the mentions in the two essays, but Bourne’s photographs are presented without comment.

Selections from Arcadia Britannica are below, where the pagan past endures in modern folklore.

Ray McLeever, Jeanette Rowell and Ranger the dog, Jack-in-the-Green, Hastings, East Sussex. © 2015 Henry Bourne
Ray McLeever, Jeanette Rowell, and Ranger the dog at Jack-in-the-Green, Hastings, East Sussex (© 2015 Henry Bourne)
Peter Paul as Bill, Wagoner, and Simon Lane as ‘Orse (Dobbin) at the Hoodening, St Nicholas-at- Wade, Kent (© 2015 Henry Bourne)
Peter Paul as Bill the Wagoner, and Simon Lane as ‘Orse (Dobbin) at the Hoodening, St Nicholas-at- Wade, Kent (© 2015 Henry Bourne)
Jane Wildgoose, Jack-in-the-Green, Hastings, East Sussex. © 2015 Henry Bourne
Jane Wildgoose at Jack-in-the-Green, Hastings, East Sussex (© 2015 Henry Bourne)
Paul Whiting, Red Leicester Morris, Whittlesea Straw Bear Festival, Whittlesey, Cambridgeshire. © 2015 Henry Bourne
Paul Whiting as a Red Leicester Morris at the Whittlesea Straw Bear Festival, Whittlesey, Cambridgeshire (© 2015 Henry Bourne)
Lily York, Queen of Smithfield Market, Pearly Kings and Queens, Wimbledon Village Fair, London. © 2015 Henry Bourne
Lily York as the Queen of Smithfield Market at Pearly Kings and Queens, Wimbledon Village Fair, London (© 2015 Henry Bourne)
Derek Stone with the Ewhurst and Staplecross Bonfire Society at Bonfire Night, Hastings, East Sussex (© 2015 Henry Bourne)
Derek Stone with the Ewhurst and Staplecross Bonfire Society at Bonfire Night, Hastings, East Sussex (© 2015 Henry Bourne)
John Beaching, Jack-in-the-Green, Hastings, East Sussex. © 2015 Henry Bourne
John Beaching at Jack-in-the-Green, Hastings, East Sussex (© 2015 Henry Bourne)

Arcadia Britannica: A Modern British Folklore Portrait by Henry Bourne is out this month from Thames & Hudson.

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