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The Louvre at night, with the Pyramid censored (altered by 84user from a FOLP photo on Wikimedia)

Restrictions on photographing or filming copyrighted art, architecture, or other objects in public might get stricter in the European Union. On July 9, new copyright provisions from the Legal Affairs Committee go to a vote in the European Parliament.

At stake is the freedom of panorama (FOP), which basically is when a photograph is taken in public, permanent art, structures, advertisements, or even t-shirts that are under copyright can appear without the photographer seeking permission. It’s an attempt to find a medium between the rights of property owners with freedom of visual representation in public space. In the United States, only buildings are exempt from copyright in this context. FOP currently varies from country to country within the EU, and the vote could unify them under this language:

[…] commercial use of photographs, video footage or other images of works which are permanently located in physical public places should always be subject to prior authorisation from the authors or any proxy acting for them […]

A map showing the level of Freedom of Panorama (as seen from a general audience standpoint) in the countries of Europe (King of Hearts/Quibik, via Wikimedia)

It’s unlikely, clickbait titles aside, that the EU would be confiscating tourist photos of the Louvre’s Pyramid or London Eye, but there could be major repercussions for commercial and professional photographers. Julia Reda, a member of the copyright reform-focused Pirate Party Germany and their only member in the European Parliament, made protecting FOP part of her report on changing copyright law. Although this report was adopted by the European Parliament’s Legal Affairs committee, a June 16th amendment altered the FOP proposal. Glyn Moody at Ars Technica reported that Reda explained that the amendment “could threaten the work of documentary filmmakers and the legality of commercial photo-sharing platforms.”

Some of the existing restrictive FOP restrictions aren’t widely enforced, although there are examples like Copenhagen’s statue of the Little Mermaid, which is notorious for the family of the sculptor being aggressive about its copyright and billing media for its use. Other countries also are diligent about such rules. Owen Blacker writes on Medium:

In theory, in Italy, for example, when publishing pictures of “cultural goods” (buildings, sculptures, paintings and so on) for commercial purposes one must obtain authorisation from the Ministry of Arts and Cultural Heritage. Iceland has restricted panorama rights too — there are no pictures of Hallgrímskirkja on Wikimedia Commons, as it is under copyright there until 2021.

Freedom of Panorama around the world as of 2014 (Created by Mardus, via Wikimedia) (click to enlarge)

The Signpost, Wikipedia’s online journal, has details on how EU citizens can contact their MEPs (Members of the European Parliament).

Allison Meier

Allison C. Meier is a former staff writer for Hyperallergic. Originally from Oklahoma, she has been covering visual culture and overlooked history for print and online media since 2006. She moonlights...

2 replies on “European Copyright Reform Could Restrict Photography in Public Spaces”

  1. Photography and indeed videoing promotes tourism. Tourist photographs and especially professional photographs are a county, an architect or indeed an artists best marketing. This proposal is absurd and backward looking for those countries who already have an enlightened view on freedom of Panorama. Just more riddiculous EU bureaucracy.

  2. Prince, and others, clearly take a photographer’s images, ones that were a lot of work and expense to create, and make quick knockoffs for commercial gain. Artists like Prince are often far richer than the artists they steal from, so why don’t they simple ask for the right to use the original image and pay for that use! (Um, I suspect they like the controversy for one thing.)

    BTW, I hear that Prince ruthlessly purses “infringement” of his own work, even when it includes reappropriated images. Oh the irony of greed!

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