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Donald Trump came under fire again this week after making some pretty outrageous statements about GOP presidential rival Carly Fiorina’s face, so it’s especially timely that someone on the internet gifted us with “Paint with Donald Trump,” a website that lets you paint with eight of Trump’s most ridiculous expressions.
It’s pretty easy to use: pick a brush size, pick your favorite face, and drag the real estate mogul around the canvas to create an amazing masterpiece. The only downside is that it lacks the option to undo an action. We reached out to the site’s developer — who identified himself only as “Jon” — to request a button, but he said he found that it was too much trouble to add after spending some time toying with it.
He also mentioned that he made the website because he “saw a gap in the market for politician-based software.”
“Paint with Donald Trump” is obviously a big hit, as there’s already a meta-portrait, a tribute to Florina, and of course, many wonderfully lewd ones. Being a serious arts website, Hyperallergic is devoted to exploring new mediums, so below are our contributions. It’s really quite amazing what one can do with the color palette of Trump’s pallid-to-cheeto-toned cheeks and his curious, tow-colored combover.
“Black infants in America are now more than twice as likely to die as white infants—11.3 per 1,000 black babies, compared with 4.9 per 1,000 white babies, according to the most recent government data—a racial disparity that is actually wider than in 1850, 15 years before the end of slavery, when most black women were…
he ownership of images has a long and nuanced legal history, which has evolved dramatically in recent years as cultural standards and photographic technologies have rapidly advanced
The show, which honors the 50th anniversary of an exhibition history once ignored, continues a series of projects documenting Wilmington’s contemporary art scene.
Renty and his daughter Delia. Renty was an enslaved African, kidnapped from the Congo, sold and forced into slave labor on the South Carolina plantation of B.F. Taylor
What is the relation between possessing a person, possessing their image, and dispossessing their progeny
As a scholar of African American history and photography whose work has focused on the status of violent images in museums and archives, I fully support the validity of Ms. Tamara Lanier’s claim and the amicus brief.
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
The daguerreotypes of Renty Taylor, Delia, Drana, Alfred, Jack, George Fassena, and Jem remained in an unused storage cabinet until 1975, when it was discovered by an employee of the Peabody Museum.
I am writing in support of the amicus curiae brief submitted by Professor Ariella Aïsha Azoulay of Brown University for the full restitution of the daguerreotypes of Renty Taylor and his daughter Delia, currently held by Harvard University, to their familial descendant, Tamara Lanier.
We cannot be indifferent to the long-lasting effects of photography. The photographs at the center of Lanier v. Harvard are relentless in making Renty and Delia Taylor work and perform as slaves. The pain inflicted on them has not ceased. Photography has the capacity to propagate harm, and we have the moral obligation to interrupt…