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Can’t get your latest poetry collection/humor listicle/cyberfeminist comic/experimental haiku manifesto published? Luckily for you, the Asian American Writers’ Workshop (AAWW) has a new tool that will confirm your artistic legitimacy and guarantee that your inbox won’t see another message that begins with “Sorry, but we don’t think this will be a good fit at this moment.”
White Pen Name, created by Britt Gudas, generates exactly what its name implies: random pseudonyms of white-sounding names at the push of a button, completely free for the taking the next time you draft another query.
Perhaps you’re a “Doug Parker,” a “Blake Reed,” or a “Paul Lewis.” Want a hyphenated name to jazz things up? Maybe “Seth-Cohen Hill” will do. Or try “Blake Baker,” since literary folk are suckers for alliteration, right? Or perhaps you’re daring enough to pose as a lady. How about “Madison Clarke” or “Amy Franklin?”
Of course, this is all in good fun, created in a response to last week’s controversy surrounding Michael Derrick Hudson, a white man who adopted a Chinese-sounding name that resulted in the successful publication of his poem after numerous attempts under his own name. Because everyone knows simply adopting a fictional pseudonym will instantly launch you into literary success. AAWW, though, had another, more serious response on the whole incident to further the conversation of Hudson’s exploitation of identity, gathering the thoughts of 19 of its writers. You may read each in full here.
Do let us know when you generate “Jonathan Franzen,” though.
“The impossibility of reforming Tony [Soprano] bears some resemblance to the crisis plaguing museums and toxic philanthropy today, where a culture of bullying and exploitation belies programming of socially- and politically-engaged art.”
As a critic, I’m dying to make a meta-critique of the ways my communities are represented on screen.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Frey ponders why she felt comfort in television and film content that intellectuals often take pride in dismissing.
What does Rutherford Falls, a new TV series that prominently features two small town museums, tell us about the way people see the contentious stories on display in history and art institutions?
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.