Support Hyperallergic’s independent arts journalism.
In fair Verona, where we lay our scene, thieves have stolen 17 valuable artworks from a museum. Thursday night three masked men entered the Museo di Castelvecchio, tied up and gagged a security guard and a cashier, and stole artworks said to be worth a total of €15 million (~$16 million), including pieces by Peter Paul Rubens, Jacopo Tintoretto, Jacopo Bellini, and Giovanni Francesco Caroto, the AFP reported.
The thieves struck as the museum closed, before its security system was activated. The three armed men wore all black. They acted quickly, seemingly knowing exactly which works they wanted and where to find them. They escaped in the security guard’s car after taking his keys from him.
The haul includes no fewer than five works by Tintoretto, Andrea Mantegna’s “The Holy Family with a Saint,” Peter Paul Rubens’s “The Lady of Licnidi,” Pisanello’s “Madonna of the Quail,” and two works by the Dutch landscape painter Hans de Jode, according to a list published by Corriere Della Sera. The museum’s director, Paola Marini, told the Telegraph that 11 of the 17 stolen works are considered masterpieces, while the other six are lesser pieces.
The thieves’ calculated timing and clear knowledge of the museum’s layout and the works’ whereabouts have led many to hypothesize that the heist was commissioned by a collector. Officers from the Carabinieri’s cultural heritage unit are now reviewing footage from the museum’s 48 security cameras taken during the theft and in the days preceding it on the assumption that the thieves visited in the lead-up to the heist.
“Someone told them exactly what to steal and given that they are very well-known paintings, I imagine they will end up in a private collection,” Verona Mayor Flavio Tosi told the Telegraph. “They were real professionals. They didn’t say a word to each other and they struck at exactly the right moment — after the museum had closed to the public but before the alarms had been activated. … It was very targeted and deliberate. They went from room to room, knowing what to take.”
The Museo di Castelvecchio is housed in a fortress of the same name that was built by Cangrande della Scala in 1354. A restoration between 1959 and 1973 by architect Carlo Scarpa modernized some of the galleries. In addition to medieval and Renaissance paintings, the museum’s collection includes prints, sculptures, coins and medals, and ancient armor and weapons.
In a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Mr. Bernatowicz, in your introductory text you talk about the need for honesty, the disease of hypocrisy, overreaching governments. You do not fulfill a single one of your own ideals.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
Ed Roberson’s motorcycle ride from Pittsburgh to the Pacific is a quest-romance, an exploration of American culture and American mythology.
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
The legendary performer Ricky Jay amassed a collection of about 10,000 rare books, posters, and artwork about all things esoteric.
The proceeds will benefit the BDC’s community-centered initiatives and exhibitions.