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When hikers in the Alps stumbled upon the mummy known as Ötzi the Iceman along the Austrian–Italian border in 1991, the body was so well preserved that they feared they’d discovered the corpse of a fellow mountaineer. Later research revealed he died around 3105 BCE. In the decades since, scientists have thoroughly studied Ötzi, who is preserved at the South Tyrol Museum of Archaeology in Bolzano, Italy. Their research continues to reveal unknown details about ancient European life, including mapping Ötzi’s 61 tattoos last year with new non-invasive multispectral imaging.
Last month, an international team of scientists confirmed that the horizontal lines and x-shapes formed with charcoal embedded beneath his skin are the oldest-known examples of tattoos. Their research was published in the Journal of Archaeological Science: Reports, and shared by Smithsonian Science News this week. Under the leadership of Aaron Deter-Wolf at the Tennessee Division of Archaeology, the team looked into a 5,500-year history of tattooing through mummies both naturally and deliberately preserved around the world.
Ötzi’s main contender for the oldest tattoos title was a Chinchorro mummy found in Chile in 1983, who has a delicate mustache of dots tattooed on his upper lip. Radiocarbon data had previously indicated this mummy was older than the famous Iceman, and was poised to posthumously claim Ötzi’s tattoo throne. However, as the researchers state, comparisons of the radiocarbon dates “clearly identify Ötzi as the oldest tattooed human remains discovered to date, antedating the Chinchorro mummy Mo-1 T28 C22 by at least 500 years. Previous scholarly misidentifications of the Chilean specimen as the oldest tattooed remains appear to be the result of misreading the radiocarbon data.”
Kristina Killgrove at Forbes pointed out that artistic depictions of people with tattoos, as well as tools used in tattooing, indicate tattooing long predates the Iceman. So although Ötzi keeps his oldest tattoo title for now, it’s likely that a sinewy rival will emerge from the glaciers, bogs, deserts, or another of the world’s mummy-ripe environments. What’s interesting, beyond the date comparison, is that the two mummies show tattooing evolving independently in different parts of the globe, and for different purposes. While the Chinchorro mummy’s dot-mustache seems ornamental, the placement of Ötzi’s tattoos along his degenerating joints and spine suggest a medicinal purpose. And both examples confirm that tattooing is a historical part of our visual culture, with purposes as diverse as the individuals who practiced this body modification.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.