Support Hyperallergic’s independent arts journalism.
In advance of Ryan Trecartin’s upcoming exhibition at PS1, the artist has released a trailer teaser to get us all excited for a new batch of video works.
This two-minute trailer marks the first time that Trecartin has cut together his longer videos into a shorter clip reel. Not surprisingly, the trailer format works well for the artist, whose work is often characterized by its frenetic pace and in-your-face attitude. If you don’t like his other work, this certainly isn’t going to convince you that Ryan is the next great video artist. But if you’re into it, it looks like more of the same — crazy slang, sassy characters with weird make-up and barren suburban landscapes.
Ryan Trecartin’s ANY EVER is on view at PS1 (22-25 Jackson Avenue, Long Island City) from June 19 through September 3. The opening date happens to fall on Father’s Day. A purposeful gesture? We’ll have to see. Here’s hoping the show is better than Laurel Nakadate’s current self-obsessed floor-size showcase.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.