Two years ago, French artist Orlan sued pop star Lady Gaga in French court for plagiarism over the singer’s cover art for her 2011 album Born this Way and the eponymous, award-winning music video. Now, Orlan is taking the case to New York City, seeking testimony from members of Lady Gaga’s creative team, over whom French courts do not have jurisdiction.
On Wednesday, lawyers representing Orlan filed documents — all publicly available — seeking subpoenas for fashion director Nicola Formichetti and makeup artist Billy Brasfield. The documents order the pair, both responsible for the visuals associated with the album, to appear at a district court on February 12. Known for undergoing multiple sessions of plastic surgery in the name of art, Orlan is claiming that Gaga ripped off two specific pieces, echoing the same alien-like aesthetic the French artist supposedly controls.
“In order to promote her album, Lady Gaga did not hesitate to plagiarize the entire ORLAN universe,” one document reads. “Indeed, the singer ‘Lady Gaga’ not only did not hesitate to copy ORLAN’s theme and aesthetics, but she also infringed upon several of the artist’s famous works without permission to do so.”
One of the works is “Bumpload” (1989), a sculpture of Orlan transformed into a mutant, which the French artist alleges Gaga simply replaced with her own face to create Born This Way‘s black-and-white cover. The second is “Woman with head” (1996), a still from a performance that shows Orlan’s decapitated head on a table. According to the legal reports, the especially suspect similarities that crop up in the “Born This Way” music video are a plexiglass base, four decapitated heads, Gaga’s blunt hair cut, and her forehead implants — “essential characteristics,” as per Orlan’s lawyers, from Orlan’s own artwork.
The documents dismiss Gaga’s visual concept as “a servile copy” (zing!) — but perhaps the best nugget within the legalese is a description of Orlan as “an established artist who is now part of art history, as attested to by the presence of one of her works among the 100 20th century masterpieces in the Pompidou Museum.”
As penalty for the supposed infringement of work, Orlan’s team is asking for compensation amounting at least to the royalties or fees owed if Gaga had asked Orlan for permission — at least $31.5 million, from an estimate of at least $420 million in revenue generated by Gaga’s album, concert ticket, and merchandise sales. Orlan is also demanding a halt to the broadcast and marketing of the video as well as of items featuring the album cover.
For her part, Mother Monster seems unfazed, with her representative telling Page Six, “This is nothing but an attempt by the plaintiff to generate US press coverage around a meritless case that was filed in France several years ago.”
h/t Page Six
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
A new exhibition focuses on Hesse’s works on paper, and the way they demonstrate the role of drawing in the famed sculptor’s process.
Part of the university’s Artists on the Future series featuring renowned artists and cultural thought leaders, this online event is free and open to the public.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.
This illustrated guide offers readers a broad and accessible introduction to the evolution of Armenian modern and contemporary art.
The fire-resistant copy will be auctioned to raise funds for PEN America.
Funded projects include an exhibition of contemporary and historical retablos and a residency that pairs glass artists with creators in other mediums.
This rigorous, studio-based program in Philadelphia focuses on building unique studio practices that synthesize the disciplines of printmaking, book arts, and papermaking.
Bonhams paused the sale of the rare garment, which was expected to fetch $1.2 million.
Now playing the Cannes Film Festival, the new film from the director of The Square embarks on a luxury cruise that goes to hell.
By enshrining her memories into sculptural form, Juárez celebrates her emotional pilgrimage through the growing pains of childhood to adulthood.