Forget James Bond — how about we get Idris Elba to be the next Batman? Or the next Superman or the next Flash?
Questions like these were in the air on January 16 as an estimated 5,000 comic book lovers — and their kids — squeezed into the 4th annual Black Comic Book Festival at the Schomburg Center in Harlem.
Although this festival is much smaller than the major ComiCons, it was filled to capacity all day long. There were more than 35 exhibitors and more than 75 artists and writers, and several excellent panels were held throughout the day on topics as diverse as the pros and cons of self-pubishing, terms like “blerd” (black nerd) and “bleek” (black geek), and how women fit into an industry that has historically objectified them. Everywhere you turned you would see kids posing for pictures with men dressed as Green Lantern, the Black Panther, and the most famous black vampire since Blackula – Blade.
Some notable artists present were DMC from Run DMC, a self-described comic nerd who — fun fact — sold part of his childhood comic book collection to buy his first turntables; Guy Sims, writer of the very popular series BrotherMan; and Paris Cullins, renowned artist and writer for Marvel and DC.
There were also many interesting independent artists with their wares on display, selling everything from t-shirts to buttons to posters. A standout was a poster made by (H)afrocentric of a woman climbing a flagpole in order to replace the confederate flag with a Jamaican one – she was drawn like a superhero, and she was sporting an resplendent afro. It was a smart way to reference Brittany “Bree” Newsome’s removal of the flag at South Caroliina’s state capitol last summer.
A gaggle of young girls drew me over to the Women in Comics (WinC) table, which also boasted a variety of posters, shirts, and comics. WinC was formed to bring attention to female writers, illustrators, and publishers — an important goal in a field long dominated by fanboys. Founder Regine Sawyer was talking to the girls, most of whom were wide-eyed, telling them about WinC’s work and its own upcoming comics convention at the Bronx Library on March 19.
Near Sawyer I ran into Lion Forge Comics editor Adam Staffaroni. He was chatting with Whit Taylor as she showed him copies of her series Madtown High. After she completed the series, which she both wrote and illustrated, she upped her game with a book called GHOST, which, she told us proudly, had sold out of its first printing. Whereas Madtown High is a stapled zine illustrated with line drawings, GHOST is a book in full color. It reminded me of the early work of Gabrielle Bell, who is now a regular on the comic book circuit. As with Bell, it’s always exciting to see an artist — in any medium — pushing her own boundaries.
We also discussed the way personal zines still have currency despite their lack of superheros. Staffaroni said, “People still like to see artists as suffering or starving, isolated and alone — they romanticize that.”
Later, well-known comic artist and filmmaker David Walker summed up an important thrust of the event for me. “You realize illiteracy for teenage boys is at an epidemic level?” he said. “Just look at Twilight. And you wonder why they don’t want to read!” But now, thanks to Walker and his ilk, people of color are being represented in comic books and movie adaptations more than ever. Young boys (and girls) of color now have heroes of their own who actually look like them! That will definitely keep them reading — and turn them into lifelong comics fans.
The 4th annual Black Comic Book Festival took place at the Schomburg Center for Research in Black Culture (515 Malcolm X Boulevard, Harlem, Manhattan) on January 16, 10am–7pm.
Author M. T. Anderson walks us through a sonic gallery of Vasily Kandinsky’s musical influences, which guided the painter’s pursuit of art that reveals a mystical, inner truth.
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.
A journey spanning three continents over 1,500 years comes to the National Mall in Washington, DC. On view at the Smithsonian’s NMAA through September 18.
Time is itself a recycling process for Cole, whose freewheeling spirit transcends linearity in his excavations of art and music history.
Drawing from a wide range of personal influences, McQueen deconstructed myths and facts and refashioned them into his desired story.
Graduate student work representing 19 disciplines is featured in a digital publication and returns as an in-person exhibition at the Rhode Island Convention Center.
Intervención/Intersección, the latest venture from MASA Galería, is a humming subversion of what public art can look like.
The phishers posted an “official minting link” to a fraudulent raffle from the famous NFT artist’s account.
Installations by Jessica Campbell, Yasmine K. Kasem, Suchitra Mattai, Haleigh Nickerson, and Nyugen E. Smith are now on view at JMKAC in Sheboygan, Wisconsin.
Through jubilant performances and speeches, the city’s first-ever Blasian March connected the large but disparate communities.
“I am an artist and a human being struggling to get out of this unjust prison, but every day my love of free and honest art grows firmer,” the persecuted artist said in a statement from a maximum-security prison in Cuba.
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.