Art

Illustrated Dolphins and Vampire Squid from the Dawn of Ocean Exploration

Dolphin illustrated by Pierre Belon (1555) (© AMNH/R. Mickens)
Dolphin woodcut, illustrated by Pierre Belon (1555) (© AMNH/R. Mickens)

In the 16th century, Pierre Belon published one of the earliest scientific depictions of a dolphin: a woodcut with finely hatched skin and pointed teeth. He noted, for what’s considered the first time, that the animal was quite different from a fish, as had long been believed. The discovery is among the historic moments in the American Museum of Natural History’s (AMNH) Opulent Oceansshowing the visual side of early ocean science.

Opulent Oceans
German zoologist Wilhelm Giesbrecht’s illustration of copepods — tiny crustaceans related to crabs and lobsters — glowing against a background that is dark like their daytime ocean environment, from his ‘Systematik und Faunistik der pelagischen Copepoden des Golfes von Neapel…’ (‘Systematics and geographical distribution of the pelagic copepods of the Gulf of Naples…’) (1892) (© AMNH\R. Mickens)

The exhibition builds on the 2014 publication Opulent Oceans: Extraordinary Rare Book Selections from the American Museum of Natural History Librarypart of the Natural Histories series highlighting material from the more than 600,000 rare volumes at AMNH. The show is organized by the book’s author, Melanie L.J. Stiassny, curator-in-charge of the Department of Ichthyology, in collaboration with Research Library Director Tom Baione. As in the 2013 exhibition Natural Histories: 400 Years of Scientific Illustration from the Museum’s Library, physical books aren’t on view, but large-scale reproductions visualize selections from the tomes. However, in conjunction with Opulent Oceans, featured publications are displayed on a rotating basis outside the fourth floor entrance to the AMNH Research Library.

Opulent Oceans
A vampire squid (Vampyroteuthis infernalis) pictured in Louis Joubin’s ‘Resultats des Campagnes Scientifiques accomplies sur son yacht par Albert 1er Prince Souverain de Monaco’ (1898–1910) (© AMNH\R. Mickens) (click to enlarge)

Most of these illustrations were made after Belon’s dolphin, as technology facilitated the exploration of ocean ecology in the 18th and 19th centuries. There are several deep-sea creatures, like the tiny black seadevil with its frightening jaw jammed with sharp teeth, drawn by Fritz Winter for August Brauer’s Die Tiefsee-Fische (1906–08). The publication was based on the German Deep Sea expedition of 1898–99, in which many fish from depths beyond 3,300 feet — where previously no life was known to exist — were first recorded.

It was on this voyage that biologist Carl Chun discovered the Vampyroteuthis infernalis, or “vampire squid from Hell.” The vampire squid is only about the size of a softball, but the deep-sea cephalopod, with its saucer eyes, ominous pigmentation, and cape-like webbed fins, does appear like a miniature monster, as shown in an illustration by Louis Joubin.

According to National Oceanic and Atmospheric Administration, 95% of the ocean “remains unexplored, unseen by human eyes.” Whether the bioluminescence of copepods (small crustaceans), illuminated in the 1892 work of Wilhelm Giesbrecht, or the delicate single-celled radiolarians published in 1887 by Ernst Haeckel, Opulent Oceans demonstrates the diversity of a world we are still discovering.

 This plate of a weedy seadragon, published in 1865 in Albert Gunther’s On the pipe-fishes belonging to the genus Phyllopteryx, was illustrated by G.H. Ford (1808-1876). Unlike seahorses, seadragons cannot grasp with their tails. They grow to be about 18 inches long. © AMNH\R. Mickens
A plate of a weedy seadragon, published in 1865 in Albert Gunther’s ‘On the pipe-fishes belonging to the genus Phyllopteryx,’ illustrated by G.H. Ford. Unlike seahorses, seadragons cannot grasp with their tails. They grow to be about 18 inches long. (© AMNH\R. Mickens)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)
Opulent Oceans
Tropical wrasses of the genus Halichoeres illustrated by American ichthyologist David Starr Jordon for ‘The fishes of Samoa’ (1906) (© AMNH\R. Mickens)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)
Opulent Oceans
A plate by artist William Dickes from Philip Henry Gosse’s ‘Actinologia Britannica: a history of the British sea anemones and corals’ (1860), featuring stinging anemones that often attach themselves to hermit crab shells, and protect the crab while eating scraps of its food. (© AMNH\R. Mickens)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)
Opulent Oceans
A plate from Francois Peron’s ‘Voyage de decouvertes aux terres australes’ (1807–16), showing fragile marine siphonophores, which easily break into pieces at the slightest touch. (© AMNH\R. Mickens)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)
Opulent Oceans
Small deep-sea fishes — like a female black seadevil (lower right) that grows no larger than eight inches. These creatures were drawn by Fritz Winter for ‘Die Tiefsee-Fische…’ (‘The deep-sea fishes…’) (1906–08) by August Brauer, written during the German Deep-Sea Expedition of 1898–1899, which discovered an array of fishes at depths between 3,300 and 13,000 feet, where scientists once believed no life could survive. (© AMNH\R. Mickens)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)
Installation view of 'Opulent Oceans' at AMNH
Installation view of ‘Opulent Oceans’ at AMNH (photo by the author for Hyperallergic)

Opulent Oceans continues at the American Museum of Natural History (Central Park West and 79th Street, Upper West Side, Manhattan) through October 2.

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