Maryland Institute College of Art (MICA) invites you to join the next generation of creative thinkers — artists, designers, filmmakers, educators, curators, and critics — as they demonstrate the power and possibilities of contemporary art and design.
Groundbreaking graduate programs at MICA are redefining the role of highly skilled and informed artists and designers in society. MICA offers MFA programs, ranked in the top ten by U.S. News and World Report, as well as MA, MBA/MA, MAT and MPS programs at the vanguard of contemporary art and design education and application.
MICA GRAD SHOW 2016 includes exhibitions and critiques, gallery talks and presentations, public programs, a symposium, and student-curated installations throughout Baltimore city.
This year’s MICA GRAD SHOW season kicks off with a promotional tribute video (above) produced/directed/starring Robby Rackleff (Mount Royal School of Art, MICA ’09).
Join MICA for a season of innovative and inspiring events and exhibitions featuring the culminating work of more than 150 graduate students from the College’s internationally renowned programs.
About the Maryland Institute College of Art
Founded in 1826, the Maryland Institute College of Art (MICA) is the oldest continuously degree-granting college of art in the nation. MICA has become a leader in the education of artists and designers by fostering a community of talented, creative individuals committed to redefining the boundaries of art and design and to expanding their vision and perspective through rigorous study.
BIENALSUR, the International Biennial of Contemporary Art of the South, has returned to Saudi Arabia for an exhibition presenting more than 20 international artists, including Filwa Nazer, Rafael Lozano-Hemmer, and Tony Oursler.
Full Spectrum spans 40 years of the artist’s career and provides an efficient crash course for anyone new to Edmonds’s work.
A show at the Prado valorizes cross-cultural flows while muffling ruptures, and two contemporary art exhibitions critique Hispanic legacies to investigate how art history occludes power.
International Court of Justice Rules Azerbaijan Must Stop Destroying Armenian Cultural Heritage in Artsakh
The ruling points to major implications for protection of all cultural heritage during peacetime.
Afghan refugee Amin didn’t feel comfortable telling director Jonas Poher Rasmussen his story without a way to conceal his identity. Rasmussen explains the process to Hyperallergic.
On view in Abu Dhabi until February 5, 2022, the paintings and sculptures in Modernisms shed new light on artists like Parviz Tanavoli, Fahrelnissa Zeid, and M.F. Husain.
Now that’s change.
Michael Steinhardt was in possession of over 180 objects smuggled from 11 nations by “crime bosses, money launderers and tomb raiders.”
“Jobless, futureless, in constant fear of arrest and death at the hands of the Taliban, we do not live but merely exist,” says an open letter published by Artists at Risk.