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Crimes of the Art is a weekly survey of artless criminals’ cultural misdeeds. Crimes are rated on a highly subjective scale from one “Scream” emoji — the equivalent of a vandal tagging the exterior of a local history museum in a remote part of the US — to five “Scream” emojis — the equivalent of the Isabella Stewart Gardner Museum heist.
Stonehenge Source Rocks Stolen in Spades
Unscrupulous stone stealers have descended on a quarry in Preseli Hills, West Whales, that was recently identified by scientists as the source of the rocks used to form Stonehenge. The rock robbers have been chipping off chunks of the Preseli bluestone and selling them on eBay for £8 (~$11.20).
Verdict: Nobody ever got rich selling rocks — these guys must be stoned.
Independent curator Stacy Engman — whom we’d never heard of until today — stands accused of biting a fellow passenger on a flight from Istanbul to New York City’s JFK airport last year in a recently filed federal summons. Engman claimed that she was returning from spending five days on a yacht before turning her teeth on row-mate, Christina Tyler.
Verdict: Reentering the real world after five days on a yacht via the exceptionally dehumanizing, sardine tin-like experience of flying coach is enough to make anyone bite-y — it’s a minor miracle that Engman didn’t eat Tyler up entirely.
Lee Ufan Painting’s Certificate of Authenticity Is Certifiably Inauthentic
Seoul’s Metropolitan Police Agency discovered that a certificate of authenticity for the Lee Ufan painting “From Point No. 780217” (1978), which was sold for $415,600 in December during an auction at K Auction, is a forgery. Though the painting itself may be authentic, knowledge of the fake certificate has rekindled fears that the market for Lee’s work is rife with forgeries.
Verdict: Forging a certificate is markedly less impressive than forging an artwork — even one of Lee’s ho-hum early point paintings.
Punk Photographer Says Peyton’s Gotta Pay
Music photographer Dennis Morris is threatening to sue artist Elizabeth Peyton over her painting “John Lydon, Destroyed” (1994), which was pulled from a Sotheby’s auction earlier this month, because he claims it infringes on his copyrighted photo of Lydon from 1977. Morris previously filed complaints against Peyton over her paintings based on his photos of Lydon and Sid Vicious in 2014 (that case was settled out of court).
Verdict: Morris has clearly lost his edge — lawsuits are the antithesis of punk.
Faux Monk Makes Off with Elephant Statues
A thief posing as a monk has been stealing relics and historic statues of elephants from temples in the town of Mrauk U in western Myanmar. Unfortunately, theft and looting in the archaeologically rich region are very common.
Verdict: As if stealing from temples weren’t already bad enough, posing as a monk to do it makes this crime all the more sacrilegious.
Prison Time for Portland Forger
Lawrence Ulvi, a 75-year-old artist in Portland who was accused of peddling forged paintings (see Crimes of the Art #4), has been convicted and sentenced to 18 months in prison for selling fake works by Kenneth Callahan, Mark Tobey, and Morris Graves. He must also pay $66,234 to his victims.
Verdict: That should give Ulvi plenty of time to work on his own paintings.
Painting Drops Out of College Art Show
Verdict: Some campus frat clearly gave its pledges an exceptionally irresponsible hazing challenge.
Thief Has a Change of Art
A painting of Kansas City’s historic Waldo Water Tower by Patrick Saunders that was stolen from a local library in October has been returned. The painting was accompanied by an apologetic note from the remorseful thief that read: “I made a very immature and stupid mistake by taking this painting. I apologize for the time, effort and concern put into this matter. I am very embarrassed and wish nothing but the best for Kansas City and its library community.”
Verdict: What a thoughtful art thief — ISIS could learn a thing or two from him.
Every utopia is a social experiment, the artist suggests in this commission for the Performa performance art biennial, and we’re ultimately the guinea pigs.
“You can’t live in a house that’s built upon your back.” This is one of the more memorable phrases spoken by the scripted lovers of Tschabalala Self’s Sounding Board, what Performa describes in its promotional materials as an “experimental play.” That phrase, uttered by one romantic partner to the other, operates as guidance, warning, dictate,…
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
A commitment to trans subjects, and their queer communities, is manifested as a holding environment made approachable by our concern, grounded in intimacy and legacy, enfolding any viewer who will stop, listen, and receive love.
Todd Chandler’s documentary Bulletproof looks at the many people monetizing the societal rot of school shootings.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
The artists released the risograph-printed booklet series Organizing Power to assist in the arduous process of assembling a bargaining unit and negotiating.
From 1963 through 1968, Warhol produced nearly 650 films, including hundreds of Screen Tests and dozens of full-length movies.
Melvin Edwards, Maren Hassinger, and Alison Saar are among the artists kicking off the Destination Crenshaw initiative.