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Pity the poor parents who want to introduce their tots to the work of a contemporary artist like Takashi Murakami. Sure, all those laughing daisies and dancing bears are adorable, but how do you explain to Junior on a Saturday afternoon trip to the museum why that lady’s breasts are so big, or why that blonde dude is twirling a lasso of white stuff that’s coming out of his … uh, never mind. And forget about taking the wee ones to Murakami’s current show at Gagosian in London, unless you want to have to deal with questions about giant metal penises and giant metal vaginas and anime gals with even bigger breasts this time around.
Fortunately, there’s a relatively family-friendly Murakami piece the whole family can enjoy in the form of a delightful promo video the artist made a few years ago to commemorate his (then) six year collaboration with Louis Vuitton. It’s full of all the wacky shapes and colors that make Murakami’s work so captivating, minus all these distracting genitalia!
(Of course, there’s still the risk of nightmares about being ingested by a cuddly Pokemon-like character, but at least the kids won’t be asking questions about, you know, sex.)
While staying as a house guest, a naked Le Corbusier defiled Gray’s minimalist, color-blocked walls that were only restored in 2015.
Keep your friends close and your bad art friends closer.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
In his new book, Tyler Green argues that landscape was Emerson’s method of glorifying territories shaped and bordered by white men.
“The 52-hertz Whale,” which sings a song at a frequency no other whale uses, is a social media phenomenon. But this film shows that the phenomenon says more about us than whales.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
The unvarnished photographs celebrate the lives, beauty, and resilience of an oppressed group at Chile’s social peripheries in the 1980s, and the series was recently acquired by MOCA in Los Angeles.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.