Support Hyperallergic’s independent arts journalism.
Reclining by a wine jug and a portion of bread, a cup in one bony hand, the skeleton on a 3rd-century BCE mosaic discovered in Turkey has a simple message for its viewers: “Be cheerful, enjoy your life.” The words in ancient Greek frame its skull and were revealed in a recent excavation in the ancient city of Antioch, located near today’s Syrian border.
According to Turkey’s state-run Anadolu Agency, the mosaic was found in 2012, but was shared by the agency last week. The Daily Sabah reports that excavations were launched in the area when construction began on a new cable car. The bacchanalian skeleton is part of a group of mosaics discovered on what’s believed to be a dining room floor. One directly beside the skeleton shows a man racing towards a sundial, another reminder of the passage of time.
The skeleton is just one of the many incredibly intact mosaics found at Antioch, such as the “Worcester Hunt,” which shows lions, deer, and other beasts falling beneath warriors on horseback and is now at the Worcester Art Museum, and the quieter, figurative scene “The Judgement of Paris” at the Louvre. Yet Demet Kara with the Hatay Archaeology Museum told the Hürriyet Daily News that the skeleton is “much more comprehensive” than most other mosaics found from its era. Kara added that it’s also “important for the fact that it dates back to the 3rd century BC.” [EDIT: There have been questions raised as to if this date is accurate, but at this time we are reporting what the museum has provided.]
It’s also not the only ancient mosaic to contain a corpse in the carpe diem spirit. Another similarly lounging but oddly fleshy skeleton was found along Rome’s Via Appia and is now part of the Museo Nazionale Romano. And two separate mosaics discovered at Pompeii feature, respectively, a skeleton standing with two wine pitchers and a skull balancing on a wheel between symbols of wealth and poverty, suggesting that death is the “great leveler.” While they might appear grim, their meaning was much more about celebrating life in the face of death than pondering that shared mortal fate.
UPDATE, 4/28: Hyperallergic contributor and former intern Cihan Kucuk in Turkey directed us to some more recent information from local news sources. Nikos Tsivikis with the Römisch-Germanisches Zentralmuseum reported to Arkeofili that, contrary to the initial dating of 3rd century BCE from the Hatay Museum, it’s more likely to be from the late Roman period (2-4th century CE). And further discussion of the mosaic in harmony with the two adjoining pieces reveals that it might have a meaning more connected to the space, which was possibly a dining area for an almshouse. Murat Bardakçı reported to Haberturk that a more accurate translation would be: “You get the pleasure of the food you eat hastily with death.”
Hurriyet Daily News, which initially reported the previous translation, also followed up with additional opinions from experts, reporting that some believe the mosaic was initially “wrongly interpreted.” Historian İlber Ortaylı also told the publication that a “new, separate museum” should be set up for the mosaic area, and hopefully further research and the international attention for the mosaic will reveal more about its unusual design.
In a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Mr. Bernatowicz, in your introductory text you talk about the need for honesty, the disease of hypocrisy, overreaching governments. You do not fulfill a single one of your own ideals.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
Ed Roberson’s motorcycle ride from Pittsburgh to the Pacific is a quest-romance, an exploration of American culture and American mythology.
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
The legendary performer amassed a collection of about 10,000 rare books, posters, and artwork about all things esoteric.
The proceeds will benefit the BDC’s community-centered initiatives and exhibitions.