We would like to take a break from our daily posting to thank our sponsors for the month of July. These are the people and places that keep us publishing, so be sure to check them out.
- Artwrit is an independent quarterly and monthly publication committed to excellence in art writing. Artwrit’s July issue features a review of The Women in Our Life exhibition at Cheim & Read gallery, interview with sculptor Nick van Woert, a criticism of MTA during Bushwick Open Studios, and much more.
- Dia Art Foundation is presenting a retrospective of minimalist artist Blinky Palermo at its Dia:Beacon location, at 3 Beekman Street in Beacon, New York, and CCS Bard. The exhibition runs through October 31, 2011.
- The Fernando Luis Alvarez Gallery was established in 2008 by contemporary artist Fernando Luis Alvarez to promote the advancement of the arts through economic, cultural, and philanthropic ventures. Since moving to Stamford in 2009, the gallery has been instrumental in the transformation of the community from a commuter-dominated financial and industrial hub to a thriving downtown haven for the Arts. It has become essential to the very fabric of the community through programs such as involving local at-risk youth and establishing Sprouting Spaces, a project that turns commercial vacancies into active artist studios.The recent Be(come) A Collector show was dedicated to encouraging new collectors to get in on emerging artists. Here, the public was introduced to the Colombian Seven, a collective of some of Colombia’s best new artists whom the Gallery has brought together after an intensive review and creative analysis process. The show also served as a preview and introduction to the upcoming “Young Latin Masters: JJ Bedoya and the Colombian Seven” September 9th exhibition.
- NADA Hudson is a site-specific art exhibition hosted by the New Art Dealers Alliance on July 30 and 31. Located in a 19th century foundry and forge on the banks of the Hudson river, the exhibition will feature over 30 projects by NADA affiliates.
- Verge: Art Miami Beach is an art fair that forms an international platform for the most exciting and interesting in new and emerging art. This year’s fair will take place from December 1 to 4 and is currently holding an open call for artists and galleries.
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Join Hyperallergic for an online conversation with Kiowa Tribal Museum Director Tahnee Ahtone on January 25 at 7pm (EST).
This week, Patrisse Cullors speaks, reviewing John Richardson’s final Picasso book, the Met Museum snags a rare oil on copper by Nicolas Poussin, and much more.
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
Alexi Worth’s paintings demand a double take that allows viewers to look closer and begin dissembling the painting in order to understand what is being looked at.
Anastasia Pelias’s sculpture builds on this mythological legacy, suggesting we all have the ability to commune with a higher power and influence our futures.
Curated by Jill Kearney, this exhibition in Frenchtown, NJ amplifies stories both local and universal with work by Willie Cole, Sandra Ramos, sTo Len, and more.
Jack Spicer’s poetry can be deeply funny and playful but it has a consistent undercurrent of sadness.
Belinda Rathbone’s biography traces the sculptor’s embrace of kinetic mechanisms to his work in the Singer Sewing Machine factory.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
It’s the first time in the country’s history that objects of this significance are offered for public sale.
Schwartz was at the forefront of computer-generated art before desktops or the kind of software that makes it commonplace today.
Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.