

Nayland Blake is an artist, educator, and instigator. His home online is www.naylandblake.net. More by Nayland Blake
Nayland Blake is an artist, educator, and instigator. His home online is www.naylandblake.net. More by Nayland Blake
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Tiffany D. Gaines, Machiko Harada, Brianna L. Hernández, Álvaro Ibarra, and Brian Johnson are the recipients of this year’s fellowship.
Sokolow’s overarching concern in her current exhibition, Visualizing is with the coercive potential of built environments.
A founding member of Turkish contemporary art space SALT, Demir brings to NYUAD her training in non-Western modernism and commitment to global contemporary art and cultural production.
“Three Transitions” from 1973 depicts a slippery reality that thwarts the notion of video as an inherently “documentary” medium.
An ancient prison that once held enemies of the Roman state sits at the base of the Capitoline Hill, largely unchanged since it was first built.
Engage in experimental and intersectional research-based art-making at UF’s School of Art + Art History.
An exhibition at NYC’s Woodhull Hospital pairs works from the medical center’s collection with pieces made by people currently imprisoned at the jail.
Following yesterday’s guerrilla action within the institution, hundreds of protesters congregated outside of the Brooklyn Museum demanding a ceasefire in a planned march throughout the borough.
Explore new directions in your work with artists from around the world while being inspired by studio spaces and facilities in the Canadian Rocky Mountains.
Protesters demanded that the New York City institution sever ties with donors financially connected to Israel.
Artists and activists from various groups chanted, “Netanyahu, what do you say? How many kids did you kill today?”
Sun Ra was a Black artist of the highest order, not a punchline. This cartoon is disrespectful to his artistry and his blackness.
A poor white guy and a singing potato wearing a crown – how is this “disrespectful” of anybody or anything … except maybe potatoes?
It’s problematic to decontextualize the very serious words of a great and underrecognized Black American artist, and place them in the mouth of a potato, for the purpose of allowing a white artist to make a trivial “kooky statement”. Of course, if you don’t understand Sun Ra and/or don’t understand race in America, you won’t see the problem.
I’m from Philly, and I had him on my jazz radio show, and I don’t need some smart-ass telling me what I do and do not understand. It’s a fuckin’ singing potato wearing a crown. The whirring and quacking heard at the end of “We Travel the Spaceways” comes from a toy robot with flashing lights, for God’s sake.
Get over yourself and find something to do with your life.
The artist’s father is black.