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- This is true, particularly now:
NO. AND IF YOU COME ACROSS AN AMERICAN ARTIST RIGHT NOW WHO HAS NO POLITICAL OPINIONS OR IS AFRAID OF TALKING POLITICS, BE VERY CONCERNED. pic.twitter.com/k0Iuh9Fphy
— Amanda Palmer (@amandapalmer) November 23, 2016
- Jen Graves of The Stranger in Seattle writes about how you don’t “moderate” Marina Abramović (which she tried to do). The whole post is great but this part is particularly amazing:
- This is the same woman who before the show (and it was a show, not a “discussion”) joked about being deported by Trump. She has a green card, so she can’t vote, but she sent Hillary the maximum donation allowed, $2,700. Abramović LLC Director Giuliano Argenziano, who travels with her, said he would be deported first, because Trump’s people probably want to dissolve his gay marriage.
- Christopher Knight at the LA Times writes about a new exhibition on Mexican art that shows the breadth of its achievements:
- The Philadelphia Museum of Art faced the daunting challenge when organizing “Paint the Revolution: Mexican Modernism, 1910-1950,” a sprawling — and thrilling — survey of paintings, drawings, photography and prints. There hasn’t been a show like this in more than 60 years. But, attached to walls, murals can’t move. So what is a museum to do?
- T.J. Clark, writing for the London Review of Books, says the James Ensor exhibition at the Royal Academy in London “is for me the event of the autumn.” He writes:
- Ensor is one of the strangest artists to have emerged from a socialist and anarchist milieu – stranger even than Platonov or Pasolini. That socialism of some sort was the context that mattered in his case is clear. The first serious piece of writing about him appeared in 1891 in the socialist journal La Société nouvelle, published in Paris and Brussels: it was written by a novelist friend, Eugène Demolder. When Demolder followed up with a short book a few months later it was titled James Ensor, la mort mystique d’un théologien. (The great Verhaeren, poet of the revolutionary crowd, lent his name to a second monograph in 1908.) You have to work hard to find Demolder’s 1892 subtitle acknowledged in the art-historical literature, but it is important, and only half ironical. In Belgian socialism at fin de siècle, Christ and La Sociale (the anarchists’ codeword for the coming social revolution) were inseparable.
- In case you haven’t heard about all the really racist incidents post-election being perpetrated by Trump supporters (or those saying they are), well:
- Students at Maple Grove High School in New York State were greeted with ‘fuck niggers’ the day after election
- Pennsylvania high school students holding Trump sign were yelling ‘white power’ the day after the election
- Fusion has compiled a more thorough list.
- Why is it Facebook can’t solve the “fake news” problem on its platform but it can create a tool to censor news for China? The New York Times reports on this troubling turn of events:
- The social network has quietly developed software to suppress posts from appearing in people’s news feeds in specific geographic areas, according to three current and former Facebook employees, who asked for anonymity because the tool is confidential. The feature was created to help Facebook get into China, a market where the social network has been blocked, these people said. Mr. Zuckerberg has supported and defended the effort, the people added.
- And this is coupled with the reality that a new study found that students are really bad at telling the difference between fake and real news:
- “Many assume that because young people are fluent in social media they are equally savvy about what they find there,” the researchers wrote. “Our work shows the opposite.”
- … One assessment presented two posts announcing Donald Trump’s candidacy for president — one from the actual Fox News account, with a blue checkmark indicating it was verified, and one from an account that looked like Fox News.
- “Only a quarter of the students recognized and explained the significance of the blue checkmark, a Stanford press release noted. “And over 30 percent of students argued that the fake account was more trustworthy.”
- A chilling article that gives you so much to concise. It asks, “Has the Internet Become a Failed State?” Well:
- S o we find ourselves living in this paradoxical world, which is both wonderful and frightening. Social historians will say that there’s nothing new here: the world was always like this. The only difference is that we now experience it 24/7 and on a global scale. But as we thrash around looking for a way to understand it, our public discourse is depressingly Manichean: tech boosters and evangelists at one extreme; angry technophobes at the other; and most of us somewhere in between. Small wonder that Manuel Castells, the great scholar of cyberspace, once described our condition as that of “informed bewilderment”.
- Placed here with no comment:
Tatyana Navka, the wife of Vladimir Putin’s powerful spokesman, did a holocaust themed skating performance tonight in Russia. pic.twitter.com/XxVRn6GeIV
— Yashar Ali
(@yashar) November 27, 2016
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.
One researcher, Jürgen Schick, estimated that over half of the region’s historical artworks have been stolen.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
The visual arts institution and educational center is located in the most ethnically diverse urban area in the world.
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Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.