Amelia Taylor-Hochberg is a writer, editor, and podcaster in Los Angeles. Be in touch: @Amlorberg More by Amelia Taylor-Hochberg
Titled Now and Forever, the new designs honor the ongoing pursuit for racial equality in a country built on systemic oppression.
Art for the Millions at the Met Museum foregrounds the perspectives of women and people of color in the 1930s in the wake of industrialized labor.
The first prize winner will receive $25,000 and a commission to portray a remarkable living American for the Smithsonian museum’s collection.
Baker’s art exudes the deep and spiritual connection to nature that she has gained from her Mandan/Hidatsa family.
The gesture popularized by Estevan Oriol’s iconic 1995 photo inspired two sculptures by Glenn Kaino to be installed on either end of the new 6th Street bridge.
The 213,000-square-foot complex in Richmond, Virginia, will be a hub for multidisciplinary research and collaboration and a resource for the community.
Tate Britain did wisely to rehang the British poet and painter closer to modernity.
A Cubist Commission in Brooklyn at The Met is a compact, simple display, but the work and research it contains is diminished by being so cut off from its historical and personal contexts.
The moving image artist will discuss her investigative practice and the implications of digital image proliferation, taking place via livestream and in Philadelphia.
Two movies at the 2023 Cannes Film Festival reflect on the onscreen representation of the Holocaust after Claude Lanzmann’s landmark Shoah.
The London institution launched a website to recover reportedly hundreds of missing items, some suspected stolen by a former employee.
