Revealing the Invisible: The History of Glass and the Microscope, currently on view at the Corning Museum of Glass, explores the evolution of the microscope, from the simple 17th-century model by Antoni van Leeuwenhoek to elaborate ones like an 18th-century compound microscope adorned with ray skin. The exhibition concludes with the future of microscopy, which may be modest in material but is more accessible than the scientific instruments of the past. One of those contemporary designs is the Foldscope, a pocket-sized, $1 microscope that anyone can assemble like origami.
The Foldscope was designed by Manu Prakash and Jim Cybulski at Stanford University and launched in a pilot program in 2014. Its waterproof paper body can be folded into existence from one sheet and used to hold microscope slides, to enhance your iPhone camera, or as a projector.
Thousands of Foldscopes have been dispersed in over 130 countries, many to schools where students might not have access to more expensive microscopes. Now, through a Kickstarter campaign, you can acquire a Foldscope of your own or, even better, fulfill kit needs at schools around the world.
Prakash, in his 2012 TED talk, notes that while education and engaging the public with everyday microscopic activity are essential goals of the Foldscope, it could also play an important public health role — for example, by making it easier to do field testing for malaria. Since it can magnify specimens up to 2,000 times and is compact, durable, and easily replaceable, the Foldscope offers a design solution for scientists working in such fluctuating environments as deserts and rainforests.
You can explore the diverse uses of the Foldscope on the project’s community hub page, including views of larvae collected in Mexico City, “drunk” mosquitos inspected in India, and flowers examined up close at a girls’ hostel in Sri Lanka. As the Foldscope team states in its mission, the aim is to “break down the price barrier between people and the curiosity and excitement of scientific exploration.”
Foldscope: The Origami Paper Microscope is fundraising on Kickstarter through December 21.
Our favorite US shows of 2021, brought to you by the writers and editors of Hyperallergic.
Naito’s Op-inspired abstractions might have been an oblique way of dealing with feelings of displacement after moving to the United States.
BIENALSUR, the International Biennial of Contemporary Art of the South, has returned to Saudi Arabia for an exhibition presenting more than 20 international artists, including Filwa Nazer, Rafael Lozano-Hemmer, and Tony Oursler.
Braque’s paintings speak of self-containment, of a quietly impassioned, ongoing dedication to the task at hand.
In Amber Robles-Gordon’s artwork, the borders between states matter less than the overlapping territories of self, the never-ending negotiation of identity.
Schulte seems at once focused and restless, determined and open.
The archive kicks off an initiative by the Met Museum and the Studio Museum to conserve and digitize his works, and research the context of his photographs, his singular photographic techniques, and his life.
On view in Abu Dhabi until February 5, 2022, the paintings and sculptures in Modernisms shed new light on artists like Parviz Tanavoli, Fahrelnissa Zeid, and M.F. Husain.
In 1996, Nez Perce Tribe members had to fundraise hundreds of thousands of dollars to pay the Ohio History Connection to secure artifacts that were rightfully theirs.
Andrew McCarthy used a modified telescope to take over 150,000 images of the sun, combining them to create the stunningly crisp photo.
The city brought shows to life that will be talked about for years to come.