Support Hyperallergic’s independent arts journalism.
Pressure from some Bay Area Jewish groups and others have pushed the Museum of Children’s Art (MOCHA) in Oakland, California, to cancel A Child’s View from Gaza, which is an exhibition featuring 50 art works by Palestinian children aged 9 to 11. Slated to open at the Oakland institution on September 24, the rather last minute cancellation has shocked many who are disturbed that the voices of young children are being silenced in America. Many of the images portray the bloodshed of the Israeli bombing of Gaza in 2008 and 2009, known as Operation Cast Lead, and they were created by the children during art therapy sessions that help them cope with the trauma.
In an open letter to the MOCHA community, chair Hilmon Sorey wrote that, “…as an organization that serves a large and diverse community, we tried to balance this with the concerns raised by parents, caregivers and educators who did not wish for their children to encounter graphically violent and sensitive works during their use of our facility.” In an interview with the Contra Costa Times newspaper, Sorey was more specific and said that “the board felt the Israeli-Palestinian conflict is too divisive an issue.”
Yet the Museum is no stranger to exhibitions that portray violence and a 2004 exhibit showed art done by Iraqi children immediately following the American invasion and the institution has explored children’s art that portrays violence in other shows.
Barbara Lubin, who is the chair of The Middle East Children’s Alliance (MECA), which organized the show was dismayed by the cancellation. “We understand all too well the enormous pressure that the museum came under. But who wins? The museum doesn’t win. MECA doesn’t win. The people of the Bay Area don’t win. Our basic constitutional freedom of speech loses. The children in Gaza lose,” she said in a MECA media advisory issued today. The document suggests a disturbing trend:
… [T]his disturbing incident is just one example of many across the nation in which certain groups have successfully silenced the Palestinian perspective, which includes artistic expression. In fact, some organizations have even earmarked funds for precisely these efforts. Last year, regrettably the Jewish Federation of North America and the Jewish Council for Public Affairs launched a $6 million initiative to effectively silence Palestinian voices even in ‘cultural institutions.’
The San Francisco Chronicle reported that the pressure to cancel the show “came from Jewish groups as well as others in the community, board members said.”
You can view 15 images from the show, which is currently looking for a new venue in the Bay Area, on MECA’s Facebook page.
The autumn holiday of Sukkot continues to offer solace and community for new generations.
Equity should be discussed in the form of European and American institutions partnering with the Benin government to create sustainable museums.
This exhibition in Great Falls, Montana addresses the concept of intention in contemporary fiber art and its complex relationship with the history of women’s art as craft.
Yamasaki’s most well-known projects — the twin towers and the Pruit-Igoe housing project — were both destroyed on national television.
An exquisitely illustrated and enlightening new book reveals the screen’s unique role in Japanese history and culture from its origins to the 20th century.
Explore new avenues in artistic practice and scholarship amongst a diverse cohort of peers while gaining leadership skills both academically and professionally.
Find the perfect gifts for friends and family.
There is nothing extraordinary about Murphy’s subjects and yet there is something inexplicably disturbing about her paintings and drawings.
In this exhibition, curated by Patrick Flores and presented by Taipei Fine Arts Museum, Paiwan artist Sakuliu reflects on interspecies co-sharing and coexistence.
Participatory photography aims to counter the pitfalls of photography as an exploitative or voyeuristic medium.
This week, a Frank Stella is installed as a public artwork in NYC, the women behind some iconic buildings, looting Cambodia, fighting anti-boycott laws, and more.
An Original Copy of US Constitution Sells for $43.2 Million, Becoming Most Expensive Document Ever Sold
MoMA board member Ken Griffin went well over asking for the document, beating out cryptocurrency enthusiasts who crowdfunded to purchase it.